Milan Fashion Week

A front row seat: following luxury trends on TikTok

Ad hoc strategies and the help of creators: the two platform demiurges tell how an alternative way of telling young people about fashion can be developed.

by Barbara Sgarzi

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Frame dai video TikTok di Camera Nazionale della Moda, dei creator Samuele Bartoletti ed Elena Hazinah e di alcuni brand del lusso: Cartier, Dior, Fendi, Louis Vuitton, Loewe.

7' min read

7' min read

That it is no longer - or has never been - just a stage for funny choreographies, everyone has realised. With over a billion users worldwide, TikTok hosts valuable content on every subject, including philosophy and literature. And despite the light and amusing tone of voice, it is making its way into the rarefied and exclusive world of luxury, imposing itself as an alternative for telling brands such as Prada, Balenciaga, Balmain, Gucci, Cartier: here, perfection takes second place, in favour of authenticity. Hence the partnership with the Chamber of Fashion, with digital creators narrating the catwalks through the hashtag #behindthe scenes, or the sponsorship of the last Met Gala, which saw CEO Shew Chen himself as honorary president. Speaking of numbers, the #Luxury hashtag in 2023 grew globally by 300 per cent, and a third of users buy because they are inspired by the creators - and then tell it with #TikTokMadeMeBuyIt, TikTok made me buy it -, feeding the circle endlessly. The two women who lead the fashion and luxury sector of the online platform talk about the reasons for this success. Spoiler: it won't end soon.

MORE INFLUENCERS THAN INFLUENCERS

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"The real revolution? Going beyond aesthetics, showing the creative process of brands and the craftsmanship behind luxury products'. For Laura Milani, head of fashion & luxury hub of TikTok Italia, this is one of the platform's added values. A career devoted to digital and innovation, from Yahoo via Facebook, where she was already involved in fashion, Milani does not just work for TikTok, but lives in its uninterrupted flow of content, trends and suggestions.

Laura Milani, head of fashion & luxury hub di TikTok Italia.

"Haute couture, luxury, have indeed found a source of fresh water. On the one hand, brands experience a new openness and effective transparency by telling their stories in an authentic way. On the other, creators share the backstage of collections and fashion shows for an audience that has a particular attitude: they are there because they want to discover something different". Luxury brands were among the first to grasp the potential of TikTok to get in touch with a wider and younger audience. But also to tell, from a global stage, the artisanal values behind each piece, which are indispensable to understanding it: "An example is the work done with La Selleria by Fendi. Seeing an artisan at work, following the entire supply chain, gives back the intrinsic value of an accessory and motivates its price'. In this regard, TikTok is said to have contributed to the democratisation of luxury. But how do we make objects that were created to be exclusive affordable for everyone? "We are a meeting point: value is told through personal experience, with a contemporary freshness and a bottom-up approach. Those who are passionate, but perhaps do not have great spending power, nevertheless feel that they are part of a sector that fascinates them". Thanks also to an algorithm that rewards the most relevant content and a form of entertainment that enhances music: "The sound is always 'on' on TikTok and often the big brands choose the pieces that accompany the fashion shows already thinking about their performance on social. I dream of a front row increasingly full of creators, because we are in a mature phase, in which fashion houses have realised that there are important changes in communication and want to be part of them". Also because the impact on business is real: "Almost 60 per cent of those who buy luxury products do so more frequently after seeing them on TikTok. We offer new tools, give measurable results with digital metrics and study the audience with research and surveys. Instead of influencers, we prefer to talk about 'influencers', young people with a great knowledge of fashion who are able to tell their story'. And to re-evaluate - almost paradoxically, given that we are on an online platform - the boutique experience.

"After the pandemic, the desire to shop in a physical place and to tell the story step by step, to give value to the chosen item, has returned. Luxury on TikTok is not an automatic reflex: I want it, I click, I buy it. It needs its time'. Exactly like another liturgy of the platform, unboxing: unveiling the purchase from bag to box, documenting it with detailed videos. There is another point: giving weight to the purchase also goes hand in hand with sustainability, in the perspective of less is more: "There is a very high demand for transparency, people want to understand more about the brand's values and in this the creators are a fundamental hub. They talk about preloved garments or sustainable collections such as Prada's Re-Nylon, iconic bags revisited in ecological materials. A trend that shows no sign of waning, with videos generating tens of millions of views'.

Although everyone, potentially, can become a successful tiktoker, what is the secret to really making it? Is there a formula? "It happens when the tone of voice of the fashion house is already suitable for the platform, it sounds genuine, spontaneous, but immediately recognisable. I'm thinking of Loewe, just to give an example. In this case, the creators' narrative helps, but the company's words and style guide the communication without intermediaries'. One last curiosity: what's in the wardrobe of a fashion communication innovator? "I love shoes, because you never have to change size! And living two parallel lives, I have separate wardrobes. The one for the week in Milan, which is more formal, and the one for the weekend, where I fish for the extreme sports I love to practice. I'm sure that anyone who meets me at work would struggle to recognise me on Sunday'.

HOW TO BE AT TIMES SQUARE

Vanessa Craft is an explosion. Of curls, enthusiasm, smiles and colours. "Since working at TikTok, I have also changed my wardrobe. Gone is the total black uniform, on with colour and experimentation. I am much more playful, innovative'. This is probably due to the hours spent observing fashion trends and devising novel communication strategies for luxury brands.

Vanessa Craft, globalhead of content partnerships di TikTok.

Global head of content partnerships, a background as a fashion journalist that led her to head Elle Canada, Craft is behind the scenes of the video platform's incredible acceleration into fashion, beauty and lifestyle, and there's her hand in the first sponsorship of the Met Gala 2024 as well. "We are in the New Year of fashion. The scenery and trends move fast, a new language is needed: we encourage luxury brands to jump in, to show themselves to be genuine, even vulnerable. Above all, not to replicate on TikTok the campaigns designed for other media, but to create ad hoc communication'. While maintaining their own status: 'The most difficult thing for big brands is to find a balance between their positioning and language and the young, fast-paced environment of the platform. Being innovative while remaining themselves and preserving the credibility capital created over the years'. And dictating trends, rather than following them, trends that are often global: 'Yes, it no longer makes sense to think in terms of countries. I see trends developing in Dubai, for example, and they catch the whole world in the blink of an eye. TikTok is like Times Square: full of suggestions, colourful, fun. A cross-section of the world where you stop and observe for a while and maybe pick up something you like, to replicate it but in your own way'. In all this incessant movement, what role does fashion journalism, the one from which Vanessa Craft comes from, play? 'It is still very important, it is an entry point. One thing does not exclude the other, there is room for everyone. Also because on TikTok there has always been plenty of room for newspapers that want to share their content in alternative formats'. In order to maintain transparency in the relationship with the public that devours videos, TikTok, like other social platforms, has recently added the possibility of inserting a label to declare when content has been produced with the help of Artificial Intelligence to which everyone on the platform looks with great interest.

Influencers - characters somewhat in crisis, not only in Italy - and content creators: what future does Vanessa Craft see for these two figures who are so important in bringing fashion closer to the general public? "There is a distinction to be made. In the beginning influencers were really authentic. Today, this authenticity is missing in many cases, and the public feels it. Creators are their natural evolution, the active part of the system: they invent, they really create, in a platform like TikTok that has legitimised the visual element, the storytelling through video and images. Not only that: they also play an important educational role, for example in anti-counterfeiting. The focus on young talent is crucial for Craft, which is also a judge for Estée Lauder's The Catalysts programme, an incubator for talents who are redesigning beauty communication. "Even for cosmetics and make-up, TikTok has helped to bring out those modes of storytelling that come above all from the experience, from trying the product". And with the #beauty hashtag travelling over 45 million posts worldwide, it is not a sector to be overlooked, not least because it is closely linked to that of fashion.

The last question to Vanessa Craft is to understand how one survives this speed, this world that as soon as you try to understand it, it has already changed before your eyes: 'Spending a lot of time on the platform, observing trends and staying in the flow. Sleeping as soon as possible. And never forgetting to take my vitamins,' he laughs.

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