Venice

“Biography of Jorge Luis Borges” is memorable

The new film by the great Argentine director Mariano Llinás was presented at the Venice Film Festival

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

One of the greatest writers of all time, portrayed by a master of contemporary cinema: “Biografía de Jorge Luis Borges” is the meeting of the giant of Spanish-language literature and Mariano Llinás, the Argentine director who has brought to life some of the most original and interesting films of recent years, including the torrential “La flor” from 2018.

Having already made a number of significant documentaries on the art world – from *Clorindo Testa* to *Triptico de Mondongo* – Llinás raises the bar with a three-part project dedicated to Borges, with a total running time of 330 minutes, which was presented out of competition at the Venice Film Festival.

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This is a biography of Borges built upon an in-depth examination of the papers he left behind, the books he read and the places he visited. An attempt to decipher a singular life: that of a man who lived like a clandestine warrior, whose cause was literature, conceived at once as a kingdom and a landscape.

As is always the case in Llinás’s films, this is, however, merely the starting point of an experiential journey in which, in a deliberate and coherent manner, the film constantly shifts direction, drawing us, the audience, into the investigation, as if we were detectives in a crime thriller – a genre to which the film constantly winks, both in its narrative flow and its musical choices.

Llinás is almost always on the ground, leading an investigation that will take him to various parts of the world, following in the footsteps of the places where Borges lived.

Biografia de Jorge Luis Borges

Maps and postcards

““Biografía de Jorge Luis Borges” is a film brimming with maps, postcards, letters and archival material: the research carried out by Pampero Cine is nothing short of monumental, to the extent that the result is one of the most significant and valuable documentaries to have graced the big screen in recent times.

Llinás does not shy away from Borges’s controversial political views, nor from some of the chilling statements and choices he made throughout his career; he consistently avoids producing a mere hagiography, instead delving into everything that was significant in the life of his subject.

Through its biting irony and an extremely skilful use of storytelling, *Biografía de Jorge Luis Borges* is, however, also a splendid film about cinema and its forms, about the director’s vision and about the compositions that can be created by combining images and sounds.

Without a shadow of a doubt, for those who have chosen to see it, it is one of the films that will remain etched in the memory, not only of this Venice Film Festival but of the entire year.

Anatomia di un ritratto

The Anatomy of a Portrait

Amidst a Film Festival packed with major international documentaries (including Alex Gibney’s “Musk”), another fine Italian film worth mentioning is “Anatomia di un ritratto” by Francesco Clerici and Mattia Colombo.

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Presented as part of the ‘Notti Veneziane’ festival, the film centres on Fernanda Wittgens, a woman who joined the Brera Academy in 1928 and, within a few years, became director of the Pinacoteca. Courageous and visionary, during the war she saved works of art from bombing raids, helped politically persecuted individuals and Jewish families to flee the regime and, because of her anti-fascist activism, was imprisoned. After the Liberation, she rebuilt Brera and championed the idea of a museum that was open and accessible to all. Despite the pioneering nature of her work, she was forgotten after her death.

It is from this absence that the film’s structure emerges: through the actress Sara Drago, who lends her voice and presence to her letters, and the art historian Giovanna Ginex, the directors create a collaborative space in which memory, interpretation and the present intertwine.

And this is precisely what makes this project so fascinating: it is both moving and original, offering an unconventional and visually striking way of honouring the memory of an important art historian.

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