The spring session

All sold for auctions in Hong Kong

The week of Art Basel also catalysed the auctions: white gloves for Christie's and Sotheby's auctions. The total with Bonhams and Phillips exceeds 200 million US dollars

by Giovanni Gasparini

Sotheby’s Maison.

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

The auction session held in Hong Kong during the ArtBasel Art Week, held from 25 to 29 March, was a great success for all the catalogues offered by the major Western auction houses, with both Christie's and Sotheby's evening auctions selling entirely and a total that, with the other houses and smaller catalogues, exceeded 200 million US dollars (US$).

Richter and Sanyu lead Christie's

Christie's celebrated its 40th anniversary in the region on 27 March in the elegant setting of The Henderson skyscraper, with a reduced catalogue of 37 lots all selling for total proceeds of more than HK$655m, or US$83.8m, up on last year's similar catalogue and exceeding expectations. Four of the top five realisations were protected by third-party guarantees, as were most of the million-dollar works of Western origin. The only one to surpass the US$10m mark was Gerhard Richter's two-metre large canvas 'Abstraktes Bild' from 1991 in bright red tones, which realised HK$92m (equivalent to US$11.8m) within estimate.

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GERHARD RICHTER. Abstraktes Bild, 1991, olio su tela. (Courtesy Christie’s)

A protracted sequence of relaunches for the figurative work "Cheval agenouillé sur un tapis (Horse kneeling on a carpet)" by Sanyu, a Chinese-born painter who was part of the Paris School in the 1950s-1960s, a medium-sized oil on masonite depicting a horse, which bodes well for the year, brought the work to exceed its high estimate at HK$64 million (US$8.2 million). The realisation narrowly surpasses a new record for a work by German-born Primitivist painter Walter Spies, known in the inter-war years for works set in what was then a Dutch colony in Indonesia, such as the 1934 night view 'Balinese' with an unusual aerial viewpoint, which thanks in part to the guarantee, clocks in at HK$59 million from an estimate of HK$48-68 million. Yet another canvas version of Kusama's infamous gourd is also protected by the guarantee at HK$39.5m, towards the high estimate of HK$32-40m with commissions, just above David Hockney's 1985 tribute 'Chair' to Van Gogh, which is close to HK$39m from a guaranteed estimate of HK$32-48m.

Two well-known painting masters need no guarantees: Zao Wou-Ki whose large 1951 canvas stops at HK$35.7 million within the estimate, and Van Gogh with his earth-coloured 1883 early period composition 'Meisje in het bosch (A Girl in the Woods)', long contended for up to HK$33.4 million from an estimate of HK$10-20 million.

Also successful was the choice to offer a work of ancient art, a rare and meticulous Still Life with flowers, insects and a Chinese vase painted by the Flemish Johannes Goadaert in the 17th century, which due to its rarity and quality far exceeded the guaranteed estimate of HK$ 3.5-5.5 million to over HK$ 10 million.

SANYU (CHANG YU, 1895-1966). Cheval agenouillé sur un tapis (Cavallo inginocchiato su un tappeto),dipinto negli anni ’50-’60, olio su masonite, 49 x 74,2 cm. (Courtesy Christie’s)

Among the younger artists were record prices for Atsushi Kaga with the 2021 canvas 'YES!' contended for up to HK$4.6 million from an estimate of HK$500,000-1 million, and for Lenz Geerk with a more classic 'Couple on a Fresco' canvas from 2019 surpassing the high estimate at HK$2.2 million.

The following day, 28 March, two catalogues of 20th and 21st century art respectively added US$ 29.5 million to the total realisation, bringing it to US$ 113.3 million, thanks also to the collection of Vietnamese art byMelchior Dejouany and the record for a work by Christine Ay Tjoe at HK$ 17 million, which brings the records for as many artists over the two days to 14.

Mark Rothko, No. 10. (Sotheby’s)

Joan Mitchell millionaire at Sotheby's

The total result for the three catalogues offered by Sotheby's and almost all of them sold was HK$711.8m, or US$91.3m. The sale of all lots in the evening auction on 29 March was helped by some pre-auction withdrawals, and brought HK$548m, or US$70.3m, within estimates and well above the previous year's results, thanks mainly to an abstract composition in two large canvases totalling 2.6 metres by Joan Mitchell 'La Grande Vallee VII' from 1983, which was seen at the low estimate at an online bid of HK$137.3 million (US$17.6 million), from an estimate of HK$110-300 million. Contending to exceed the high estimate of HK$40m at HK$66.8m was Mark Rothko's 1949 composition No.10, a 1.5 metre vertical canvas that was a prelude to the large abstract compositions that followed shortly afterwards, part of the famous exhibition at the Betty Parsons gallery that launched the artist.

Joan Mitchell, La Grande Vallée VII. (Sotheby’s)

There were also good results for the Parisian-trained Chinese painting masters, with no less than eight works by Sanyu and ten by Zao Wou-Ki all selling, including 'Ville Chinoise' at HK$20.4m which fetched over HK$20.4m, while two other of his millionaire works 'Nuage' from 1956 estimated at HK$30-50m and the large late canvas 'Terre Rouge' from 2005 (estimated at HK$20-40m) brought HK$40.5m and HK$32m respectively, confirming estimates.

Sanyu, Beijing Circus. (Sotheby’s)

Another composition with Sanyu's horse 'Beijing Circus' on a blue background stops at HK$47.3 million above the estimate of HK$28-40 million. By contrast, Kusama's 'Pumpkin', a painted fibreglass sculpture from 2015, is likely to end up at the guarantor's door, approaching HK$50m with commissions, halfway to the HK$40-60m estimate. New record for Ugo Rondinone with a 2017 large-scale sculpture in stone and steel, contended for up to HK$3.6m well above the estimate of HK$1-1.5m.

Yayoi Kusama, Pumpkin. (Sotheby’s)

Kusama leads Phillips and Bonhams

Yayoi Kusama's phenomenal popularity was also confirmed by the sale of a mini-collection of six works by the Japanese artist on 28 March at Bonhams, led by a canvas of the usual pumpkin but painted in auspicious red in 2000, which fetched HK$22.2m. Kusama also featured in the two catalogues offered by Phillips, with a total realisation of HK$88.5m, or US$11.3m: a work from 2020 confirmed the estimate at HK$6.5m. A record for a 2011 work by Liu Dan 'Dictionary' surpassed the estimate by 3.5-4.5 million to stop at HK$11.5 million, almost US$1.5 million. Overall, the results marked a positive rebound for the region, after the recent period of stagnation and despite the less than favourable political and economic climate. Auctions return to Europe in Paris in mid-April before the important New York session in mid-May.

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