Japan

Along the craft streets amidst the tranquil beauty of Kyoto

Stroll amongst textile workshops, historic studios specialising in lacquerware and sacred candles, and museums dedicated to the arts in the city that symbolises the country’s artisan tradition

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

The hills encircle them both, as if to protect them. Last year, Kyoto and Florence celebrated the 65th anniversary of their twinning, one of the first in Italian history and marked by a common feature: both are places that preserve and pass on the most precious craftsmanship, the kind that conceals within an object not only aesthetic beauty, but also the genius loci, the spirit, history and culture of its region, and even the genius personae, the desires and feelings of those who created it.

Strumenti per i laboratori del Kyoto Museum of Crafts and Design

People certainly visit Kyoto (which last year saw a record-breaking number of visitors, with almost 63 million) for the temples and shrines that gracefully dot the city, the walks along the Kawa River or the famous Philosopher’s Path, but anyone who loves fine craftsmanship will certainly have put it at the top of their list of unmissable destinations.

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The ancient capital

Regarded as a “small city” with its 1.46 million inhabitants, some 450 kilometres from Tokyo – a journey that takes just two and a half hours on the “bullet train” Shinkansen – the city that served as the capital of the Japanese Empire for over a thousand years, until 1868, has a slow, courteous pace that invites contemplative exploration. It is certainly not frozen in time, but even in its most contemporary aspects, it retains an underlying sense of deep respect for the past.

Locanda in città

Una stanza di Tawaraya, tra i più antichi e amati ryokan (locande) della città

Many of its machiya, the traditional wooden houses dating back centuries, have been given a contemporary makeover, such as the 132-year-old building that has become Issey Miyake’s new flagship store, designed by Naoto Fukasawa in the elegant Tsuchiyacho district. This vision also inspires new hospitality projects, such as The Imperial Hotel, a historic Tokyo institution (the 1923 design was by Frank Lloyd Wright) which also opened in Kyoto last March in the building that once housed the historic Yasaka Kaikan theatre, where geishas once took centre stage: one of the original façades has been preserved and its sign is made of zelkova wood, dating back a thousand years.

 

Dentro la storia

Il soffitto dipinto del tempio Daitoku-ji.

The 74 traditional arts

Another distinctive feature of the Kyoto hotel is the number of rooms: just 55, compared with 909 at its Tokyo counterpart. By contrast, there are 74 officially recognised traditional crafts in Kyoto, including textiles, woodwork, lacquerware and metalwork, all produced using techniques that are sometimes thousands of years old and passed down from generation to generation, in the only country in the world where artisans are considered part of the national heritage.

Artigianato e manufatti

Ceramica Kiyomizu-yaki dipinta a mano.

A stop at the Kyoto Museum of Crafts and Design

This complex and interconnected world of artisans can be explored for the first time – and effectively – at the two venues the city has dedicated to them, in the north-eastern part of Sakyo. The first, the Kyoto Handicrafts Centre, opened in 1967 as a tax-free shopping venue for the city’s ever-increasing numbers of international tourists, but over time it has also become a place for educational outreach; 600 metres away, running alongside the Heian Shrine area, stands the Kyoto Museum of Crafts and Design, where the focus is not only on explaining techniques and exhibiting artefacts (some of which are for sale), but where there is also a packed programme of talks and workshops with the artisans.

Antichi telai

Tessitura nell’atelier Orisho-Hirai, condotto dalla quinta generazione dei fondatori

The Nishijin district is home to numerous machiya textile workshops, where a tradition dating back to the fifth century is kept alive: the Orinasu-kan Textile Museum is a wonderful, intimate place, whilst the large Nishijin Textile Centre also hosts kimono fashion shows with free admission. At Orisho-Hirai, silk is woven on wooden handlooms using the ancient technique of tsumegaki – scratching the threads with the fingernails – and the floor is made of clay, which is dampened every evening to maintain the correct level of humidity. Machinery performs the same function in the small Karamaru workshop, in the Shimogyo district, where sheets of washi paper are hand-printed using the Kyo Karakami technique, which involves carved magnolia wood blocks, seaweed gel and shell powder.

Rinnomata bottega

Tavoletta in legno di magnolia usata nell’atelier Karamaru.

Hand-painted washi paper, combined with wax from the berries of the Japanese wax tree, is also used to create warosoku candles, which have been produced since 1887 by Nakamura Rousoku in the Fushimi district. Next to Gyoen Park is Inui Shikki, where the friendly owner demonstrates – and lets you try your hand at – creating lacquerware using Kyoto’s distinctive technique: taking home a natsume, a container for matcha tea, made with your own hands will be infinitely more satisfying than buying yet another pair of hashi, chopsticks, perhaps made in China. It is the joy of the craftsman, which, for a while and wherever you are, can belong to everyone.

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  • Chiara Beghelli

    Chiara BeghelliRedattore

    Luogo: Roma

    Lingue parlate: inglese, spagnolo

    Argomenti: moda, lifestyle, lusso

    Premi: Premio Penna Arcobaleno (2011) - Premio Stampa Moda Movie (2019) - Premio Casato Prime Donne (2022) - Premio Roma Fashion White sezione "Libri di Moda" (2025)

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