The book by Nunzio Galantino

An exploration into human existence

A gentle and effective guide to traverse the labyrinths and horizons of our being in the world

5' min read

Translated by AI
Versione italiana

5' min read

Translated by AI
Versione italiana

What the readers of this text find in their hands is an invitation to enter the mystery of what we are and the web of desires of what we could and would like to be. In this, the pages that open here form a web of thoughts that accompany the exploration of human existence. The book itself can be handled as a gentle and effective guide to traverse the labyrinths and horizons of our being in the world. It explores and illuminates underlying themes such as hope, the search for meaning, transformation and commitment, inviting us to consider the complexity of life with openness and awareness.

They are like nine rooms in an airy flat these nine chapters that Nunzio Galantino's book offers us to read. The individual pieces of the mosaic composed here (104 to be precise) were already known to us in some way through the author's weekly appointment from the columns of Il Sole 24 Ore. Now we find them here compacted, stitched together and ordered according to outlines that allow the sporadic nature of individual texts to disappear and knit together lines of an organic thought, giving us relevant traits of an embodied anthropology.

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The journey begins with the metaphor of 'Light becoming a voice', generating hope and making itself heard as an act of rebellion against the darkness that afflicts our individual lives and the collective vicissitude of history, threatened by wickedness, abuse, destruction and wars. The sortie is not that of the apocalyptic designs that come to us spontaneously and often prophets of doom, but rather that of the desire for light that unravels through wounds and loopholes of the soul.

Galantino's man is not a featureless simulacrum, almost a puppet tossed about by the waves of history, but a confident helmsman who sails outstretched oceans, not without landings. The routes the book charts are not simple and easy; they are not always linear and straight. The awareness of a complex and sometimes complicated plank belongs to that radical form of honesty with which the author places himself beside his fellow travellers, encourages them to feel capable of walking, supports them in taking a breath even after adversity and defeat. But above all, he urges them to become conscious wayfarers, because nothing is more detrimental than to rob one's wings of the confidence and energy to fly. The weave of the journey must therefore be woven with the will to make sense of things and to put the necessary effort into them.

Embodied anthropology, it was said: and this for several reasons. The first concerns the sense of time as a determining factor, on the wave of which we find the past and live the present with our gaze cast towards the future. At several points in the book we are confronted with profound considerations that restore the meaning of memory, not as a trap that wears us down in the meanders of nostalgia, but as a resource of wisdom, a lesson for what we are living here and now. The future is not dreamy vagueness, banal and illusory deception, just to escape from the responsibilities of the present. The axis of time hinges the anthropological vision offered by these luminous outlines that give life to the line of the book. However, the time factor is not thought of in a hypertrophic manner, so accelerated that we end up in gridlock and chaos. Taking slow steps is the warning. But this does not nullify the journey, rather it allows us to look around and explore the thousand folds of the landscapes we pass through.

The axis of space also enters the horizon of understanding of the human revealed by the pages we are going to leaf through. Galantino invites us to think of a creature that is in the world not in the isolation of its irresolvable uselessness or its presumed superiority in the scale of creation, but rather as a being connected and interconnected with the living, in the common house of life, responsible for itself and others. The interplay of identity and otherness becomes complex, but it is indispensable: that is why we have a face and eyes, we have a body and its senses, formidable bridges to weave relationships, to break out of the grip of loneliness, to write a symphonic musical score for our lives.

Lastly, the anthropology Galantino takes on is also embodied by its reference to the context of life, in which we are particularly immersed today. It is marked, as we know, by scientific and technological progress, which cannot play counterpoint to the extension of relational sensitivity and spend itself in the production of attitudes of overpowering that leads to conflict, inequality and exclusion. The challenges of the knowledge and communication society, with its fascination and its threats, must be taken seriously and must become generative of resources of greater justice, of more sensible relationships, of a more evident flowering of humanity. The ethical figure that runs through many of the reflective lines of this book never falls into simplifying moralism or the rhetoric of cheap appeals. Rather, it innervates an image of the human being that, in the face of growing complexity, demands and generates greater awareness, produces moral skill, and brings to maturity a virtuous picture of the human being, a sort of ordo virtutum, for these difficult and uncertain times of ours.

Whoever wants to read this book, can do so in a sort of continuous reading, but can also keep it close by to resort to it on punctual occasions, looking for the words and concepts that from time to time can be of help in the different circumstances of life. The sequence of 104 words (there are so many headwords referred to in the paragraphs of the book, with the titles that contain them) forms a star constellation, a sensible lexicon of existence that we need more and more, the more the din of shouted, excessive, obscure, senseless words grows around us.

The author helps to restore to the various words their sometimes lost meaning or let us imagine in them what was not yet known to us. He does so with enormous sobriety, exercising the gentleness of thinking but also with incisive robustness of conceptual framework and erudite reference to literary, philosophical, theological and biblical traditions. The result is a picture that encourages the good life, making us more inclined to reflection and nourishing in us the desire for a better humanity.

* Emeritus Professor of Moral Theology at the University of Münster (Germany)

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