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The art of fashion and life according to Elsa Schiaparelli on show in London

At the Victoria & Albert Museum more than two hundred dresses, accessories, photographs and works of art tell the story of the designer's disruptive creativity, but also the present and future of the fashion house

by Nicol Degli Innocenti

Allestimento della mostra al Victoria and Albert Museum (Photo credit: David Parry/PA Media Assignments)

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

Creating clothes is not a profession, but an art: in this statement lies the essence of Elsa Schiaparelli, one of the most creative and innovative fashion designers of the 20th century. The Victoria & Albert Museum in London is now dedicating a major retrospective to this intrepid fashion pioneer, the first exhibition on the Schiaparelli maison ever held in Britain.

Born into a family of intellectuals in Rome in 1890, Elsa had fled to Paris at the age of only 23 to find the freedom to experiment. In 1927, with typical audacity, the completely self-taught designer had launched her first collection of sportswear, aimed at an active, modern woman. Her jumpers with trompe l'oeil decorations like bows were immediately imitated.

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The success of Schiaparelli Pour le Sport quickly led her to expand her range, creating day and evening dresses. Her suits are always modern, using new materials and original prints, but also practical: jackets, for example, always have roomy pockets to avoid the need to carry a handbag, while traditional skirts are often replaced by trousers.

As early as 1932 her atelier had 400 employees and was creating over seven thousand haute couture garments a year for an increasingly international clientele. In 1935 Schiaparelli moved her atelier to 21 Place Vendôme, described by her as 'the centre of world elegance' and by Salvador Dali as 'the beating heart of the Parisian surrealist movement'.

The heart of the exhibition is precisely the close collaboration with some of the great artists of the time, based on a mutual admiration. She was a muse for the Surrealists and Futurists. It was she, with her original and sometimes puzzling creations, who inspired and influenced artists such as Dali, but also Man Ray, Jean Cocteau, Alberto Giacometti and Pablo Picasso. She was "the centre of a constellation of painters, sculptors, photographers, writers and craftsmen", according to Sonnet Stanfill, curator of the exhibition.

In one display case you can see her 1937 lobster dress next to Dali's famous sculpture, Lobster Phone, which he created the following year. In another an evening coat with two profiles designed by Cocteau, forming a vase filled with pink silk roses. In yet another the Skeleton Dress, the only example of the black dress created by Schiaparelli and Dali that uses padding to create the illusion of seeing every vertebra of the spine.

Coco Chanel had referred to Schiaparelli, whose rival she was, as 'that Italian artist who makes dresses', but the comment that was meant to be dismissive actually turned out to be an unintentional and well-timed compliment. Her collaborations with artists are among the most famous creations of the designer, who throughout her career has also proved herself to be a skilled entrepreneur and a genius marketing expert ante litteram.

Her ambition and fame had led her to open ateliers in New York and London, where she found new clients among royal and aristocratic families, as well as film stars such as Mae West and Marlene Dietrich, passionate admirers of her creations. Also on show is the only wedding dress ever made by Schiaparelli in 1934, in oyster-coloured ruched rayon, for the London wedding of art collector Rosalinde Gilbert.

In 1954 Schiaparelli had closed his atelier and for decades his brand belonged only to fashion history. In 2006, the brand and the archive were bought by Diego Della Valle's Tod's group and the relaunch was sealed by the arrival of creative director Daniel Roseberry, who, inspired by the past, reinterpreted Elsa Schiaparelli's creations, contributing to a new aesthetic vocabulary and inspiring a new generation of photographers and celebrities such as Ariana Grande and Dua Lipa.

The final room of the exhibition celebrates precisely Roseberry's creations and above all the fact that the fashion house today has a present and a future. With the background of the past, that of the disruptive and extraordinary creativity of Elsa Schiaparelli, the Italian artist who really knew how to make clothes.

"Schiaparelli: Fashion Becomes Art", 28 March to 8 November 2026.
The Sainsbury Gallery, Victoria & Albert Museum, London. vam.ac.uk

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