Art Genève confirms Salon d'Art
14th edition with 80 galleries attracts institutions and the public
Key points
A special sense of intimacy characterises the 14th edition of Art Genève, which features 80 galleries from 27 countries: a small fair compared to Art Basel (more than 280 galleries in the 2026 edition), not by chance called Salon d'Art. Thanks to a system of concessions, many emerging European galleries are able to participate at a reduced price, making their first entry into the fair.
Founded in 2012 by Thomas Hug - now founder of MAZE - Art Genève has been directed for the past three years by Charlotte Diwan. Well integrated into the urban fabric, the turnout confirms the success: 7,000 visitors on the opening day and 28,000 overall. The layout of the corridors, designed by Theo Jacob (Berne), was also well cared for.
Among the novelties was the new sponsor Piaget, promoter of the Prix Solo Art Genève, which rewards one of the 16 monographic exhibitions curated by young Swiss and international galleries (including Eli Kerr, Montreal, and suns.work, Zurich) or of the 15 solo presentations in the main section. The prize was awarded to Maximilian William of London for the work of Reginald Sylvester II; two works were donated to MAMCO, Geneva.
The Institutions
There is a strong institutional presence: the Fondation Antoine de Galbert presents a site-specific installation by Nobuko Tsuchiya (Osaka, 1972), while MAMCO, with In Course of Acquisition, exhibits acquisitions supported by friends of the museum, Mirabaud & Cie and an anonymous donor. A work by the JapaneseKatsumi Nakai (1927-2013), represented by Studio Gariboldi, stands out, flanked by Marina Apollonio's 'Circular Dynamics 6Z+Z' (1940, 10 A.M. ART, Milan) and Suzanne Duchamp's 'Oiseaux sur une branche' (1935), from Larkin Erdmann Gallery. The 30th Prix Mobilière was awarded to Cassidy Toner for a work of biting irony. Also present were École des Arts Décoratifs - PSL, videokunst.ch, Sammlung Ketterer-Ertle and the immersive project Le Plaza crosses the screen. The Geneva FMAC exhibits Acquisitions 2025: it receives CHF 400,000 per year from the municipality and manages a collection of around 7,000 works.
The Galleries
Among the trends, the return of Neo-Geo emerges, marked by the presence of John Armleder (1948) - on show both in the temporary space at MAMCO and at the Musée d'art d'histoire - and Sylvie Fleury (1961). There was a strong focus on painting and two-dimensional works, with a significant presence of black artists: Galerie 38 (Marrakech) presents a tapestry by Barthélémy Toguo (€260,000); Gowen exhibits Roméo Mivekannin (Benin, 1986); Wilde brings Omar Ba, whose prices have risen from a few hundred francs to 100,000 francs, now also in Templon's stable. The Parisian MAGNIN-A recorded significant sales: three canvases by Nathalie Boutté including two large works ('Gertrude Bell', 2025; 'La jeune fille aux oiseaux', 2022) fetched €17,100; Jp Mika sold two canvases, a small one for €5,700 and 'Those years' (2024) for €40,000.
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