Furniture & Design

At Design Week, materials take centre stage: traceable supply chain, low-impact processes and durability

At the Salone and Fuori Salone, there is more than mere greenwashing and a growing awareness of guaranteed provenance, innovative low-impact production processes, the use of vegetable or biobased components, and the circular reuse of waste from the construction industry or other production sectors

by Maria Chiara Voci

6' min read

6' min read

Never as much as this year, hand in hand with an increasingly mature reflection on the theme of sustainability (which seeks to go beyond mere greenwashing approaches), the materials (innovative, modern or traditional) with which furniture, modules and coverings are made have been the undisputed protagonists of Salone del Mobile 2025 and Fuori Salone with Design Week and satellite events.

Visiting the stands in the pavilions of Rho Fiera as well as meeting designers and companies in the many Milanese 'salons' set up with installations and events, we have gathered insights and reflections that prove a point. More than in the past, companies, designers, developers are paying attention to the quality, origin and value chain behind "what a product is made of". This is a sign of a new sensitivity, driven perhaps also by EU regulations and also in Italy by CAM (the minimum environmental criteria to be respected for supplies in public tenders) as well as by green requirements that are increasingly demanded even by purchasers (more prepared than in the past). Traced supply chains, guaranteed provenance, innovative low-impact production processes, durability as a new value, use of vegetable or biobased components or circular reuse of waste from the building supply chain or other production sectors are the key terms in a storytelling that has united several interviews conducted for this article and on these pages. Places and installations - in many cases - did not end with the Salone del Mobile day but are still visible or permanently open.

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A Journey Between Innovation and Tradition

The starting point is Materia 2.0, a Como-based company specialising in the supply of high-end materials for architecture, which has inaugurated a 500 square metre space dedicated to research, design and the culture of matter in Via Marco Polo 9, Porta Nuova area. Inside, matter has voice, soul and memory: 1,200 samples, 5,000 exhibits and more than 15,000 products in the catalogue tell the story of Italian manufacturing companies and craftsmanship realities that work together to shape the design of the future, focusing on advanced research, sustainability and valorisation of the material heritage. "Materia 2.0," explained Fabio Pecora, founder general manager, "is the meeting point between traditional materials and the advanced innovation with which these same traditional materials are reproposed. We are talking about a knowledge and training hub, also organised to allow rapid interaction with visitors, thanks to the display of standardised samples in 20x20 cm format, easy to handle even for surfaces with significant thicknesses, and accompanied by information panels and QR codes to access technical details and variants". Among the partners working on high quality are Marca Corona, Cp Parquet, Botteganove and I Conci.

Between academia and industry

Henning Larsen in collaboration with the Material Balance Research Lab of the Milan Polytechnic, with the support of the Ramboll Foundation, presented 'Growing Matter(s)' at Terrazza Bonardi (via Bonardi 9), a pavilion composed of 80 mycelium spheres, each with its own organic form, bearing witness to the variability and vitality of bio-based materials. Each element of the installation - from the organically textured mycelium surfaces to the recycled scaffolding structure - reflects a new aesthetic approach that embraces the variability and intelligence of natural systems. "It is," the organisers explain, "a glimpse into a future where design breathes, adapts and evolves, and creative processes redefined by mycelium, in fashion and furniture, acoustics and architecture. A place yet to be discovered, because it will still be open to visitors these days and until Easter.

Moving from natural materials to cement - which, although a high-impact material, remains the basis for our cities and infrastructures - this industry has also made and is making huge strides and progress that cannot be taken for granted. In particular, during the Fuori Salone, IIC The Italian Cement Industry, a magazine active since 1929, presented 'ConcretaMente. Oltre il Materiale, Dentro le Storie' (Beyond the Material, Inside the Stories), in collaboration with Federbeton, an unprecedented (in this case, finished) exhibition that revealed to those who visited it what cement and concrete are through an immersive and interactive path that also explained their merits and opportunities for a greener future.

Sustainability and tradition

Returning to the area of natural tradition, ANAB together with the TerraMigakiDesign team highlighted the characteristics of sustainability and raw earth at the Fabbrica del Vapore, inside the 'Cisterne' building. The pavilion 'Material Resurfaces' presented the theme of external facades (ventilated and insulated) and internal facades (radiating) by combining the two main quarry materials: earth for the internal plasters and stone for the external cladding. From the structure to the furnishings, PEFC Italia, the body promoting the certification of good forestry management, with the art direction of architect and designer Giorgio Caporaso, presented 'Essenze Geometriche', a capsule of four wooden objects (prototypes) that combined contemporary aesthetics and sustainability and were produced by AB LEGNO and made of poplar plywood supplied by the certified company Panguaneta, or birch or fir, enriched with fine finishes by the company TABU of Cantù.

Cre-Action installations

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Still on view this week are the installations of Interni's Cre-Action exhibition-event (7 to 17 April 2025 - Cortile d'Onore, Università degli Studi di Milano). Many have placed their bets on the theme of materials. Rubner Haus, a Rubner Group company specialising in the construction of wooden buildings, has developed a prototype in collaboration with AMDL CIRCLE and Michele De Lucchi, entitled 'Catasta'. An object that is shaped like a small house with a large sloping roof and is reminiscent of an ancient temple, built of wooden planks stacked to form a disciplined composition, marked by relationships of distance and emptiness. A woodpile is not a construction with a specific function, but stands for what it evokes, reminding us of the value of being designers in finding a balance between efficiency, aesthetic and symbolic value.

Also in the Courtyard of Honour, 'The Light of Darkness' by Viruta Lab for Tile of Spain gives tangible form to the light that spontaneously emerged in the midst of darkness after the catastrophe that struck 68 Spanish municipalities on 29 October 2024. Located in the sub-porch, the composition consists of 18 sculptural totems covered with ceramic tiles, walkable and visible from all four sides, which become human-sized candlesticks with candles projecting points of light onto the mirrored surface of the base.

NovaBell Ceramiche, in collaboration with Danilo Ramazzotti, presents the "Shards of Infinity" installation, exploring the value of raw materials and their industrial reinterpretation, transforming clay and earth into avant-garde design solutions. The Canvë collection, born from this synergy, combines handcrafted aesthetics and production precision, demonstrating NovaBell's excellence in translating creativity into high quality porcelain stoneware.

New materials, design icons

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Finally, let us move on to a review of objects. In the Brera Design District, Refin in its showroom in Via Melone 2, in a space designed by Ettore Sottsass in the 1990s, inaugurated the second edition of the Refin DTS project. With his new work 'Metamorphoses', the artist Oliver Laric wanted to highlight the transformation of matter that takes different forms depending on how it is worked. The reflection that starts from this work will lead the company to work on a new research and development project that, in view of Cersaie in September, will be transformed into a new wall covering that will be presented at the fair.

Listone Giordano, the reference brand in high-end wood flooring, present at both the Salone del Mobile and Fuorisalone in its Arena in via Santa Cecilia, in addition to presenting "Nui", the new creation by Piero Lissoni inspired by the ancient Japanese art of Sashimono and 'Trafic', the eclectic collection designed by Marc Sadler that reinterprets the 19th-century paves de bois in a contemporary key, hosted several pieces of furniture by Passoni's partner from Udine, a company that works with wood by investing in 100% natural and certified products. Among the brand's peculiarities, there is that of having travelled an alternative road also in the colouring of furniture (a road also applied to a line of Giordano's parquet flooring) that with PelleVino Treatment®, uses a patented and absolutely unique procedure to colour wood, exploiting the intrinsic properties of wine and marc. New in this year's collection is the Arquus chair by John Pawson.

Lastly, Opinion Ciatti, present at the Salone and Fuorisalone in the Rossana Orlandi Gallery, presented 'Timeless by Nature', a celebration of enduring quality, harmony between past and present, resilience and the ability to evolve without losing one's identity, with shapes that defy time, materials that recount the perfection of nature and details that evoke centuries of tradition. In particular, new to the brand this year was the presentation of the finish (applicable to various elements) Corkcrete, the special ecological mortar made of cork and natural water-based resins, also suitable for outdoor spaces and available in three colours: beige, grey or dove grey.

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