Septenote

At the Blue Note jazz club four evenings with Ray Gelato's band

One of the classics of our musical comedy, 'Add a place at the table', is staged at the Teatro Nazionale in Milan.

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

The February programme of the Milanese jazz club Blue Note is rich, and one of the classics of our musical comedy, 'Add a place at the table', is staged at the Teatro Nazionale in Milan. At the Museo del Teatro alla Scala, a special interest exhibition on the dramaturgical interpretation of one of the most important operas, Wagner's 'Ring of the Nibelung'

 

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Milan

There is great variety in the February programme of the Blue Note jazz club: from jazz to funk, via the evenings Celebrate Brasil, Cuba and New Orleans. One of the highlights is Blues For Pino, a project that aims to breathe new life into Pino Daniele's blues classics. And on the subject of tributes to great artists of the national and international scene, there is also a double concert dedicated to Fabrizio De Andrè, scheduled for 4 February. The first weekend of the month is dedicated to Caribbean rhythms: 'Celebrate Cuba!', with the ConClave 6et. In the week of Valentine's Day, Ray Gelato returns with his band, from 11 to 14 February. On the 20th is Celebrate Brazil. On the 21st Funk Off feat. Nadyne Rush, mixing the spirit of New Orleans brass bands with funk. I

From the 5th to the 22nd at the Teatro Nazionale, the musical comedy "Aggiungi un posto a tavola", an excellent opportunity to see one of our great classics, signed by Garinei and Giovannini (written with Jaja Fiastri), music by Trovajoli, choreography by Gino Landi, sets and costumes by Coltellacci - in other words, the pantheon of the show; today with Giovanni Scifoni as Don Silvestro (at the debut, 1974, he was Johnny Dorelli) and Lorella Cuccarini as Consolazione (at the time, Bice Valori). The first production, at the Sistina in Rome, ran for six months; then toured Europe and South America. Today we have reached the eighth edition, with evergreen songs such as 'Peccato che sia peccato', 'Notte da non dormire', 'L'amore secondo me' - besides the title song, of course.

 

While 'Twilight of the Gods' is being staged, an exhibition entitled 'The Ring Revolution - Visconti Ronconi Chéreau', curated by Giovanni Agosti and with set design by Margherita Palli, can be visited at the Museo del Teatro alla Scala until 3 May. The exhibition is dedicated to Pier Luigi Pizzi, the set designer of "La Walkiria" and "Siegfried" in Luca Ronconi's La Scala production. During the 1970s, the prevailing interpretation of the Ring (Wagner's tetralogy of the Ring of the Nibelung) underwent a radical mutation: from the predominantly abstract and symbolic approach staged at the Wagner Festival in Bayreuth, with Wieland Wagner's stage directions, to a sociological and political reading. In the exhibition, we will be able to follow the decisive interpretative path of the Ring, which so profoundly marked its interpretation in the decades to come. In 1974, La Scala entrusted the project for a new Ring to Luca Ronconi, who collaborated with set designer Pier Luigi Pizzi; "Walkiria" was staged, liberating and relocating that opera in the bourgeois context that had produced it. Siegfried' was also staged; but the La Scala project was interrupted by the departure of director Wolfgang Sawallisch. We then encounter the Wilhelmine setting and the critique of capitalism in Patrice Chéreau's famous 1976 Bayreuth staging under the baton of Pierre Boulez.

In the meantime, we can watch on La ScalaTv 'L' Oro del Reno', the first of the four 'days' of Wagner's Tetralogy, staged in the 2023-24 season.

La Scala had first thought of Visconti to direct the Ring; a project that fell through due to the director's illness. On 16 March at 6.00 p.m. there will be a screening at La Scala of Visconti's film "Ludwig" (fully restored version), also dedicated to Wagner's adventures, the last chapter of the "German trilogy" (with "La caduta degli dèi" and "Morte a Venezia"), released in 1973. Free admission with compulsory booking at www.teatroallascala.org.

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