Winning photos from the Sony World Photography Awards on display in Milan
At the Carlo Maria Martini Diocesan Museum, a wide selection of the winning and shortlisted entries from the 2026 edition
The unmissable award-winning photographs from the 2026 Sony World Photography Awards are coming to Milan, and once again they will be hosted by the Carlo Maria Martini Diocesan Museum. Curated by Barbara Silbe, the exhibition presents a rich selection of the winning and shortlisted images from the 2026 edition of the international competition organised by the World Photography Organisation, offering the public a glimpse of the finest expressions of contemporary photography.
The exhibition also features works by Citlali Fabián, winner of the 2026 Photographer of the Year award for her project “Bilha, Stories of my Sisters”.
Through images that intertwine memory, identity and cultural belonging, the artist’s work invites reflection on the role of indigenous communities and the passing down of traditions, combining technical skill with a powerful narrative.
Also on display, among others, are the four Italians who took the top three places in three categories of the Professional Award: Jean-Marc Caimi & Valentina Piccinni, winners of the Portrait category with the series “The Faithful”, and Federico Borrella in third place in the same category with the series “Koryo-Saram: How Descendants of Deported USSR Koreans Are Rediscovering Their Roots in Uzbekistan”. Matteo Trevisan took second place in the Environment category with the series “Jinê Land: Where Women Keep the Earth Alive”, and Daniele Vita came third in the Still Life category with the series “The Bronte Pistachio”. Also of great significance is the photograph by Giulia Pissagroia, which won the Street Photography category of the Open Award.
Right at the entrance to the exhibition are Santiago Mesa’s photographs from the series Under the Shadow of Coca, selected by the Documentary Project. Since I have not changed my mind – indeed, having seen them again in this new setting, I am even more convinced – this project, which brings to light the reality of coca farmers (particularly those in the rural district of Putumayo, in southern Colombia), for whom this activity remains the only economically viable means of livelihood, is, in my view, the most eloquent work of all.

