Franciacorta

Ca' del Bosco invests in vineyards: target 2.4 million bottles

Founder and president Maurizio Zanella: important to differentiate in order to try to compensate for climate damage. The weight of hospitality grows. The Sculpture Award is back

Emiliano Sgambato

6' min read

6' min read

"Of the last eight harvests, Ca' del Bosco did five and a half. One year we lost 67 per cent of our grapes to bad weather. Once here in Franciacorta the threat was mainly hail, now drought, frost and torrential rain are more and more frequent'. Maurizio Zanella, founder and president of Ca' del Bosco, comments in this way on the investments in the vineyards that have been made in recent years and that have accelerated especially in the last budget.

Ca’ del Bosco, Franciacorta tra arte e cantina

Photogallery28 foto

Zanella: organic indispensable to protect the land

The connection? "We want to continue to guarantee levels of quality and quantity that are as constant as possible, without resorting to grapes from third-party suppliers, and to do this we need to be able to count on an adequate number of vineyards in different areas of Franciacorta. Especially if you choose organic: at our latitudes this type of vineyard management is not easy and costs sacrifices. But for us it is irrenounceable. More than for the quality of the wine, it is a choice that preserves the soil, which is our first asset,' he explains. 'Nowadays we harvest in mid-August, fortunately we have been investing for many years in higher vineyards, which guarantee more acidity to the grapes, but now the possibility of expanding in height is limited. The forests cannot be touched and rightly so'.

Loading...

Maurizio Zanella, presidente e fondatore di Ca’ del Bosco

"A help could also come from the Erbamat (an indigenous variety that entered the specification a few years ago, ed). We still have to work a bit on cross-breeding,' Zanella adds, 'but it could give Franciacorta a lot, not only for its acidity, but also because it enriches the denomination, being a variety that was born here and therefore reinforces the territorial roots.

Between growth potential and equilibrium

The hectares, between owned and leased vineyards, have increased from 266 to 280 between 2023 and 2024 alone, and were 262 in 2021, for aninvestment of 3.6 million in four years (out of a total budgeted technical investment of over 26 million). "The goal is to increase to 300 hectares in the next three years, to be able to make the most of our cellar capacity and reach a potential of 2.4 million bottles per year, climate permitting. An unprecedented level, but the primary objective is to maintain a balance and hinder any production losses, not to chase growth at any cost,' Zanella points out.

Restaurant alarm bells

.

Not least because, although the problems at the level of consumption slowdown mainly concern reds, an alarm bell has gone off at Ca' del Bosco as well.
"Historically, our sales are seasonally adjusted, mostly related to consumption in the catering trade (the label is present in only one supermarket chain, ed.) and less so to gifts or end-of-year festivities. In fact we always sell all production by October. In 2024, for the first time this did not happen,' says Zanella, 'and the closure moved further ahead. We have lost very little compared to others, but it is a sign of how there is less spending power even among customers in the medium-high bracket. Then there are the young people who drink less, but it is also the fault of the wine world that has made them believe they need a degree to order a bottle'.

Aren't there also too many mark-ups on wine lists? 'The mark-ups in restaurants in most cases are not crazy and are justified by the costs. Sometimes they are too high and even I get angry when I see them, but it is a minority. In any case, we are probably the country with the lowest mark-ups in the world.'
"As far as we are concerned," Zanella continues, "we have adjusted our price lists by a few points. Those who took advantage of the post-Covid growth to raise prices too much are paying the price. The reference is mainly to champagne, which after the boom had a sharp drop in sales..

Primacy in exports, but not enough

Ca' del Bosco, a subsidiary of the Santa Margherita Group, maintained a virtually constant turnover in 2024 (52.1 million versus 52.5 million in 2023) after years of growth (it was at 46.8 million in 2021) and a marginality down in the last year, in terms of Ebitda, from 38% to 35%.

Export is close to 20%: a figure almost double the average for Franciacorta. 'The aim is to increase it further. The problem is that in terms of global fame, there is only Champagne and Prosecco. Then there are wines that fortunately not everyone knows about. But this must be an opportunity to grow, also because in Italy if we want to remain on a certain positioning the spaces are now limited,' Zanella explains.

The direct effects of duties are not a concern since the US share is only 2.5%, but the oversupply of wine on the market could increase with the quantities not absorbed by the US, with a downward effect on prices. "That will be the case, but not for strong denominations and with production that takes consumption into account," says Zanella.

Court Oil is born

.

In the meantime, the Olio della Corte, an extra virgin olive oil from the Lombardi Lakes PDO, obtained from organically grown olives, harvested by hand and pressed within a very short time in a state-of-the-art mill owned by the company, was also born.

"It made its debut two months ago, 2,500 half-litre bottles, for now it's a kind of game," says Zanella. "Actually, we had already been making oil for some time thanks to the olive trees we have, all serving the vines in terraced terraces as per tradition. We gave them to be managed and pressed and they gave us the result. Then with the expansion of the vineyards we also acquired a real olive grove and we arrived at four hectares, so we decided to work more seriously and try to make a level product'.

Hospitality, revenues up

Alongside the agricultural company is Ca' del Bosco Hospitality, which has seen revenues grow from 2.39 million in 2021 to 3.15 million last year (+4% on 2023). That 'house in the woods' purchased in 1964 is now a spectacular and technological winery that hosts between 20 and 25 thousand people a year: an immersive visit that ranges from the vineyards to the state-of-the-art facilities, including the one used to wash and dry all the bunches of grapes from the harvest, to the immersion in a journey through millions of bottles of the prized bubbles. Events that can make use of equipped kitchens are also on the rise.
The only thing missing is overnight accommodation. "For the time being it is not planned, but we are thinking about it".

The Ca' del Bosco Sculpture Award is back

A leading role - also in the ability to attract enthusiasts - has been played for many years by contemporary art, and in particular by sculpture, which has always been a passion of Zanella. And now in Erbusco one can admire works that are the fruit of years of collaboration with internationally renowned artists. Starting with Arnaldo Pomodoro's Solar Gate (designed in 1987 and finished in 1993) at the entrance to the estate.

«handandland» di Irene Coppola ha vinto la prima edizione del Premio Scultura Ca’ del Bosco

Can making wine be an art? 'It can be tangential to art, but it cannot be to the full because true art comes from the need to express oneself from the depths and not to do business,' Zanella points out.
How did the collection and the Sculpture Prize come about? "Initially, art was a way to bring an educated but at the time extremely unprepared consumer closer to quality wine. All the works in Ca' del Bosco are the result of my confrontation, and sometimes clash, with artists who were asked to interpret what they saw from us. The Sculpture Award was created to break away from my extemporaneous and non-rational dialogue with art and instead try to do so with the same professionalism with which Ca' del Bosco makes wine".

The second edition will be announced in May: an international jury invites Italian artists under 40 to visit Ca' del Bosco and transform their feelings into sculptures. The winner will see the work realised: Irene Coppola won two years ago with "handandland", a work that is now part of the artistic heritage of Ca' del Bosco.

Copyright reserved ©

Brand connect

Loading...

Newsletter

Notizie e approfondimenti sugli avvenimenti politici, economici e finanziari.

Iscriviti