Patronage

Clerici Foundation: a 900,000-euro restoration project for Sant’Agostino in Pietrasanta

The monumental complex has been returned to the city. The official opening takes place today after six years of work

La facciata del Complesso di Sant’Agostino prima del restauro

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

Over 900,000 euros have been invested over six years of restoration work to restore one of Pietrasanta’s (Lucca) most iconic monuments: the Sant’Agostino complex, which has been revitalised through a contemporary cultural patronage initiative led by the Paolo and Giuliana Clerici Foundation. Today, the foundation – founded and chaired by the logistics entrepreneur and chairman of the Coeclerici Group – will officially hand over the refurbished complex to the town, marking the conclusion of a restoration project launched in 2020 and fully funded by the foundation.

St Augustine’s, as Paolo Clerici points out, ‘thanks to our investment, has been restored to its original splendour after six years, giving the community not only a restored monument but also new insights into its history. The research carried out during the restoration work has, in fact, brought to light previously unknown details about the construction of the façade and the extraordinary variety of marbles used, transforming the restoration into an opportunity for scientific and cultural exploration’.

Loading...

Il restauro del complesso di Sant’Agostino a Pietrasanta

Photogallery13 foto

Protecting the nation’s heritage

The project reached its first milestone in May 2023, with the reopening of the historic Sala dell’Annunziata, which has been returned to the community as a cultural space and exhibition venue. The project was completed by the recent restoration of the marble façade of the Church of Sant’Agostino, which was officially inaugurated today.

“Over the years,” continues Clerici, “my wife Giuliana and I have developed a deep bond with Pietrasanta, an extraordinary town where art, history, craftsmanship and culture coexist in a unique way. Contributing to the restoration of Sant’Agostino means giving back a symbolic place to the community and, at the same time, helping to safeguard a heritage that belongs to the whole country.”

Mitoraj’s bronze lunette has also been restored

One of the most significant aspects of the project is the restoration and return of the bronze lunette created by Igor Mitoraj. The return of the work takes on symbolic significance, given that, just this month, Pietrasanta also opened the new Mitoraj Museum, which is set to house a significant part of the artist’s legacy.

Among the most significant discoveries to emerge from the work, led by architect Maura Tardini, is, as mentioned, the extraordinary variety of stone materials used in the construction of the façade. Analysis has, in fact, revealed the presence of numerous types of marble from the Apuan Alps, some of which are particularly rare, transforming the church’s façade into a sort of atlas of Apuan marbles. The investigations have also made it possible to identify fragments of ancient medieval tombstones reused in the construction of the façade and to redefine certain aspects of the monument’s chronology, reinforcing the hypothesis that the lower part of the façade was attributed to the workshop of the Pisan master Giovanni di Gante.

Evidence of the Augustinian presence in Tuscany

Originally known as the Church of the Santissima Annunziata, Sant’Agostino stands as one of the most important examples of the Augustinian presence in Tuscany. Built at the beginning of the 14th century, it quickly became one of the symbolic centres of the city’s religious, civic and commercial life, boosted by trade from the nearby port of Motrone. The great families of Lucca at the time chose the church as a burial place and a symbol of their social prestige. The white marble façade, built in the early decades of the 1400s, is considered a significant example of late Gothic Tuscan architecture.

According to scholars, Michelangelo Buonarroti also had the opportunity to observe the marble cladding of Sant’Agostino in 1518, during his stay in Pietrasanta. The research initiated during the restoration work will, however, continue over the coming months and will culminate in the autumn in a scientific conference, organised in collaboration with the Municipality of Pietrasanta and the Superintendency for Archaeology, Fine Arts and Landscape, during which the studies and new findings emerging from the work will be presented.

Copyright reserved ©
Loading...

Brand connect

Loading...

Newsletter

Notizie e approfondimenti sugli avvenimenti politici, economici e finanziari.

Iscriviti