Borse, dividendi mondiali oltre i «rumori di fondo»: primo trimestre da record
di Maximilian Cellino
In this world where everyone says they are right, woe betide the taste of being on the wrong side, trying to sail against the tide, feeling rebellious. This is why the fifth edition of the Coconino Fest, a festival dedicated to comics and graphic novels promoted by the Coconino Press publishing house and scheduled from 29 May to 2 June, is entitled "Rebels".
'Rebels' is a word that recalls the need to oppose, question the present and restore a fully political and cultural role to comics. Rebellion, in fact, is the thread that unites the exhibitions dedicated to international authors - from David Prudhomme to Luz, from Olivier Schrauwen to Yamamoto Miki and Miguel Vila - but also the meetings, talks and contaminations with other artistic languages.
It is a rebellion that manifests itself in the stories of women in struggle, in the narratives against censorship, in the reportages drawn from war zones, but also in the freedom to mix forms and styles, making comics dialogue with music and the theatre scene.
In this sense, it is no coincidence that the festival opens with an event that already sums up this hybrid vocation. On Friday 29 May, at 9 p.m. at the Artificerie Almagià, the Storia del nuovo cognome. L'amica geniale a fumetti, a theatrical recital by the Fanny & Alexander company based on the graphic novel by Chiara Lagani and Mara Cerri that takes its cue from Elena Ferrante's cycle of novels.
It is a preview evening that immediately makes the festival's direction clear: comics not as an isolated language, but as a crossroads of narrative, image and performance.