Design Festival

Design: Italian participation at the Copenhagen festival is growing

The Danish capital is hosting 3daysofdesign, a rapidly growing and increasingly international event, which is expected to attract 60,000 visitors in 2025

by Giovanna Mancini

Un’immagine dell’edizione 2025 MatteoBellomo

4' min read

Translated by AI
Versione italiana

Key points

4' min read

Translated by AI
Versione italiana

More intimate and informal than Milan Design Week – which draws its energy and momentum from the Salone del Mobile held at Fiera Milano – Copenhagen Design Week is growing rapidly and establishing itself as an important international platform for cultural, and indeed commercial, exchange and collaboration.

From a local event to a global platform

Launched in 2013 as an initiative by four Danish companies, 3daysofdesign has, in just over a decade, become one of Europe’s leading design events, growing from around 150 exhibitors in 2019 to over 460 in 2025, attracting more than 60,000 visitors. Today it is Denmark’s official design festival and is considered the most important annual design event in Scandinavia and Northern Europe, but that is not all: partly due to the decline in prominence of certain trade fairs and festivals following the Covid-19 pandemic, Copenhagen is increasingly establishing itself as an international platform, capable of attracting a global audience, second only to the Salone del Mobile in Milan.

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Consequently, Italian participation has also grown steadily, with an ever-increasing number of Italian brands – including those of international renown – taking part, and the use of Copenhagen’s permanent showrooms as platforms for product launches and international networking.

The Italian presence

It is difficult to estimate exactly how many Italian brands will be taking part in the 2026 edition of this festival, running from 10 to 12 June. This is precisely because it is a festival rather than a trade fair, with no physical venue where industry professionals pay an entry fee. And this is also what people love about 3daysofdesign: its informal and simple nature as a widespread festival, which transforms the whole of Copenhagen into a giant exhibition platform. Unlike traditional trade fairs held inside exhibition halls, exhibitors present their collections in permanent showrooms, galleries, historic courtyards, stately homes, museums and converted industrial spaces. A sort of giant ‘Fuorisalone’ of Milan.

It is also interesting to note that many Italian brands not only take part in the event as exhibitors, but have also opened permanent showrooms in Copenhagen in recent years and use 3daysofdesign as the highlight of their existing commercial activities in the region. This phenomenon demonstrates a new way in which Italian companies view the Northern European market: not merely a region to which to export, but also a strategic ecosystem for international design.

Testimonials

“This event has been growing in appeal for several years now,” explains Giulia Molteni, Chief Marketing Officer of the Molteni Group. “Copenhagen is a major hub for designer furniture, with leading designers and a strong culture in this field. Last year we took part in 3daysofdesign and I was struck by the quantity and quality of the architects involved.” During the festival, Molteni&C is taking part in the Design | Dialogue exhibition, hosted at the Den Frie Centre of Contemporary Art and curated by Ark Journal. On display will be a selection of products designed by the duo GamFratesi, with whom the company began collaborating in 2025, including the Midday sideboard and the Lia armchair, alongside a selection of pieces from our Heritage Collection: the 555.1 coffee table and the D.754.1 rug by Gio Ponti, the Blevio table by Ignazio Gardella and the Monk chair by Tobia Scarpa.

“It’s in no way comparable to an event like our Salone del Mobile: people don’t come to Copenhagen to present or see the latest products, as they do in Milan. But it’s a place worth visiting, not least to connect with local or emerging architects and designers, who don’t come to Milan partly because of the city’s sky-high prices during Design Week,” notes Giulia Molteni.

“We will be exhibiting three of our brands: Meridiani, Saba Italia and Davide Groppi,” says Giorgio Gobbi, managing director of the Dexelance Group. “Meridiani has a stockist in the city, so we are exhibiting within their shop. Saba, on the other hand, will be exhibiting at The Conary in collaboration with Openhouse and other design brands. Finally, Davide Groppi will be taking part in the collective project Artistic Position in Space, alongside brands such as Agape, Agapecasa, Garde Hvalsøe and V-ZUG.

“Copenhagen is gradually emerging as a major player,” explains Gobbi, “it kept a low profile for a while and then really took off, partly because other furniture fairs, such as Cologne and even Paris, have lost their prominence. I think that, after Milan, it is the most important event to attend, to meet an international clientele, particularly architects and designers.”

Luca Fuso, CEO of Cassina, also emphasises the specific nature of the target audience: fewer buyers and retailers, more architects and designers, from many different countries, particularly the US and Asia. “In the past, we exhibited at 3daysofdesign solely with our Karakter brand, which is Danish,” explains Fuso. “But for the past two years now, we have also been producing a Karakter line for Cassina, and we therefore felt it was necessary to present this project in Copenhagen as well.” The company has taken an apartment and furnished it to create a complete living space. “This is how you take part in this event,” observes Fuso. “It’s like a Fuorisalone, but more intimate, more casual, more welcoming, in perfect Scandinavian spirit. And it’s interesting.”

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