Deloitte Photo Grant

Davide Monteleone and the responsibilities of a West that would like to be green

The photos of the Deloitte Photo Grant winner are on display at Mudec in Milan until 15 December with free admission

by Stefano Biolchini

Cile, Chuquicamata, aprile 2023. Capitolo rame. Serie “Critical Minerals - Geography of Energy”.

3' min read

3' min read

Davide Monteleone's photos leave an indelible mark, just as indelible are the marks on the land that years and years of exploitation in search of rare earths have produced on vast regions of the planet. Powerful images his, with their calibrated geometries, condensed into a bare and highly personal aesthetic, of great impact. It is therefore not surprising that among the 20 photographers nominated for the Reporting category, his project "Critical Minerals - Geography of Energy" won the Deloitte 2024 Photo Grant.

The theme of the competition the word 'Possibilities' conveyed a reflection on the power of choices that each of us can make, individually and as part of society and humanity as a whole.

Loading...

Cile, impianto della miniera di Albemarle, 2023. Litio.

Monteleone's project, with a careful eye and a good dose of disenchantment, narrates - with features that are denunciatory and yet at times even lyrically intimate in their almost Rothkian hues - the transformations of the global energy scene, as well as the human one, in the sign of renewable sources. His exploration, without wishing to be in any way apodictic, highlights with raw determination the interweaving of narratives, and thus contradictions, which are geopolitical, social and environmental, emerging from the growing demand for minerals essential for renewable energies. The question underlying his finely descriptive work is about who ultimately pays, and not only in economic and environmental terms, for our albeit ethically correct demand for more or less green energy?

And his work, which has ranged from Nigeria to Chile and Indonesia, without claiming to provide easy answers, forcefully poses inescapable questions to the richer West and planetary elites.

Guido Borsani, Chairman Deloitte Foundation

"The international jury, of which I was a member, saw a great convergence in choosing Davide Monteleone's work, not only for the great aesthetic quality of the images he proposed, but because at the basis of his work is this theme, this reflection

on the energy transition, which fully fits the theme of 'Possibilities', which was the theme of this year's Photo Grant from Deloitte,

focused precisely on the possibilities, the choices and therefore also the responsibilities of the choices we all have to make,' says Guido Borsani, president of the Deloitte Foundation.

Le foto di Davide Monteleone in mostra al Mudec

Photogallery17 foto

Davide Monteleone

Monteleone explains, "This project was born from the observation that we are in an energy transition, hence a second industrial revolution, and my curiosity was to try to understand what are the environmental, social, and economic implications of this transition, that is, to understand how this research and this need for new resources, including rare earths, cobalt, lithium, copper, and so on, will influence the economy, the environment, and society in order to implement this energy transition.

At the same time, Mudec also hosts the nostalgic project by Brazilian artist Fernanda Liberti, who prevailed in the Open Call category of the Deloitte 2023 Photo grant award, 'Dust from Home', and who, drawing inspiration from the complicated genealogical architecture of her family, narrates the complex theme of migration through the family photographic archive, inhabited as it is by faces, places, interiors, landscapes, paths, joys and dramas that are at once very personal and universal, filtered with melancholy and the eternal, and very feminine, hope for a better future.

Indonesia, Pomalaa, Sulawesi sudorientale, maggio 2024. Capitolo nichel. Serie “Critical Minerals - Geography of Energy”.

Fernanda Liberti

.

This project was inspired by my family history and the legacy," the Brazilian photographer tells us, "that this history left me. My ancestors came from Syria and were never able to return there before their death. Their migration dates back more than a hundred years. My work wanted to recover the origins of my family and all that this cultural heritage linked to the family heritage could give me'.

Deloitte Photo Grant, Mudec Photo, Mudec, Museo delle Culture, Milan, until 15 December, free admission

Copyright reserved ©
Loading...

Brand connect

Loading...

Newsletter

Notizie e approfondimenti sugli avvenimenti politici, economici e finanziari.

Iscriviti