Football

Dead Evaristo Beccalossi, genius and unruliness of Inter in the 1980s

More than a footballer, an icon: Brera nicknamed him 'Dribblossi', Paolo Rossi dedicated a 'Praise' to him for his missed penalty against Slovan

by Francesco Prisco

Morto Evaristo Beccalossi, leggenda dell’Inter e del calcio italiano

5' min read

Translated by AI
Versione italiana

5' min read

Translated by AI
Versione italiana

He made it in time to enjoy the celebration for the 21st Scudetto. Then, one small step after another, as when he badly digested a substitution, he was gone. He died in his Brescia Evaristo Beccalossi, one of the flaggers of the Inter, historical number 10 of the Milanese team before embarking on a career as a manager. "In the folds of memories and in everyday life, Evaristo was always one of us," the newly crowned Italia champion club remembers him.

He would have been 70 years old in a few days, on 12 May, but for over a year his health had been critical following a celebratory haemorrhage that had struck him in January 2025 and had not spared him a period of coma. His death occurred in the night between Tuesday and Wednesday at the Poliambulanza clinic in Brescia, where he was hospitalised.

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Few footballers rise to iconic status and Beccalossi, for better or worse, was iconic. In fact, thanks to Paolo Rossi - not the 'Pablito' of the 1982 World Cup, but the Italian Lenny Bruce - he became to all intents and purposes a character in Italy's popular culture. All thanks to a match, that Inter-Slovan Bratislava on 15 September 1982 in the Cup Winners' Cup round of 16, where the Nerazzurri number 10 missed two penalties in eight minutes. A kind of collective trauma for the Inter people. 'Then I got injured, went into the locker room and smashed two doors,' 'Becca' would one day recount.

Paolo Rossi's Lode a Evaristo Beccalossi, an unrepentant Inter fan, deals with precisely this surreal episode. And it opens like this: 'This piece is dedicated to two great talents of world culture, who made some of us, although losers, believe we were destined for a future and possible victory. These two talents in the fields of culture, music, art, evolution in general, are for me Charlie Parker and Evaristo Beccalossi'. The memorable match against Slovan Bratislava ended 2-0 for the Italian team, but no one remembers the real result: everyone remembers Beccalossi's bad luck and his missed penalties that, in some hyperbolic tales, even become three, four, five, a bit like the 20-0 Italia-England match in The Second Tragic Fantozzi. That's how it works when the collective memory is activated: that's the beauty of the epic genre.

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Beccalossi never held it against him: he was an authentic one, as only those from the provinces know how to be. Born in Brescia and raised football-wise in the nursery of his hometown team, he soon came to the fore as one of the purest talents of his generation. The big leap came in 1978, when for 1.5 billion old lire (including cash and technical quid pro quos) he was bought by Inter, following in the footsteps of Alessandro Altobelli, who had ended up in Milan from Brescia a year earlier. His was one of the most expensive purchases of that market session.

The reference to Sandro Mazzola - his predecessor with the 10 and at the time a Nerazzurri manager - apparently came after a game in which Beccalossi dribbled past five players, before failing to score an easy goal in front of the goalkeeper. A kind of poetic manifesto. In the Nerazzurri the fantasist lived the most important period of his career, remaining there for six seasons (1978-1984) and collecting 216 appearances between league and cups, with a total of 37 goals.

Morto Evaristo Beccalossi, numero 10 dell’Inter anni Ottanta

Photogallery11 foto

Beccalossi was one of the most iconic players of his time, not so much for his achievements as for his style. And here the comparison with Charlie Parker, who came out of Paolo Rossi's imagination, becomes apt. A natural left-hander, a pure fantasist, he was capable of surprising plays: tight dribbles, illuminating assists, sudden shots that lit up matches. Gianni Brera gave him the nickname 'Dribblossi', underlining his flair for elegant and unpredictable play. Of his way of being on the pitch, not always appreciated by coaches, Beccalossi used to say: 'I do what I see'. Perhaps because of this, in Europe's most tactical league, his career was marked by a certain discontinuity. His performance alternated between days of pure inspiration and colourless matches, fuelling his teammates' famous joke: with him on the pitch 'you play in ten or twelve', depending on your mood.

With Inter he won the Scudetto in the 1979-1980 season. He was one of the protagonists of the team coached by Eugenio Bersellini and quickly became one of the favourites of the Curva Nord. Unforgettable was his double in the derby of 28 October 1979, which for Inter represented a return to victory over Milan (2-0), after almost five years of abstinence. In his palmares also a Coppa Italia (1981-1982) and the contribution to reaching the semi-final of the Champions Cup in 1980-1981 lost to Real Madrid. After the Nerazzurri experience he wore the shirts of Sampdoria (with which he won the 1984-1985 Coppa Italia), Monza, Brescia again and then Barletta, Pordenone and Breno, ending his career in 1991.

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For Italia he played in the youth and Olympic selections, but never made it permanently to the senior national team. It is no coincidence that the biggest regret of his career remained the failure to convene Enzo Bearzot at Spain '82: 'I would have killed him,' he said in hindsight. It took a while, then Becca realised that 'if he had called me up everyone would have pushed for me to play as a starter. The head coach had his group, he couldn't afford any more screw-ups. Then I wasn't really his type of player'. We need more talent like that in the Azzurri today.... After retiring from playing football, in any case, he embarked on a managerial career and was also head of the Azzurri youth national teams, including the Under-19

In his final years, 'Beck', as Beppe Viola called him in his reports for Domenica Sportiva, had continued to frequent the football environment, even in the role of commentator, before the serious illness in January 2025 that forced him into a long hospital stay and a difficult rehabilitation process. Loyal to his character to the end, we like to think that he left as he did in the finale of the Praise tribute to him by Paolo Rossi: 'He shoots, with his heel, with his toe, with his tongue; he discards all the ultras, he discards all the policemen with wolfdogs; all those who were tearing up tickets... he takes out another barricade... He discarded the scalpers, those who sold pizzas, hot-dogs'. Ball and chain, one dribble after another, all the way to the door of Paradise.

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