At auction

First work of art created by a robot exceeds one million

Alan Turing portrait made by humanoid Ai-Da at Sotheby's increases its estimate tenfold to between $120-180,000

Il robot Ai-Da davanti al loro ritratto del matematico britannico Alan Turing, intitolato “A.I. God. Portrait of Alan Turing” venduta per 1,32 milioni di dollari da Sotheby’s; (fotografia: Sotheby’s/EPA)

4' min read

4' min read

The portrait of British mathematician Alan Turing became the first work of art created by a humanoid robot to be sold at auction, fetching $1.08 million in New York on Thursday 7 November. Entitled "AI God. Portrait of Alan Turing", the 2.2 metre portrait was created by Ai-Da, the world's first ultra-realistic robot artist. In Sotheby's online auction from 31 October to 7 November, it shattered pre-sale expectations by between $120,000 and $180,000 thanks to 27 bids, it was protected by an irrevocable bid and cryptocurrency was also accepted. Ai-Da was created over two years by a team of robotic programmers, art experts and psychologists, completed in 2019 it is being updated as artificial intelligence technology advances. "Ai-Da becomes the first robot to paint like an artist. Today's record sale price for the first artwork by a humanoid robot artist to be auctioned marks a moment in modern and contemporary art history and reflects the growing intersection between artificial intelligence technology and the global art market," Sotheby's explained in a note.

The model genius of AI

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Ai-Da, who uses artificial intelligence to speak, said: 'The fundamental value of my work is its ability to act as a catalyst for dialogue on emerging technologies', adding that a 'portrait of the pioneer Alan Turing invites viewers to reflect on the divine nature of artificial intelligence and computing, while considering the ethical and social implications of these advances'. A thought-provoking statement...

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Turing, mathematician and computer pioneer, played a crucial role in the fight against Nazi Germany by working to decipher the famous Enigma Code used by the Germans to transmit information to the armed forces during World War II. Turing's machine, The Bombe, similar in every way to a computer capable of imitating Enigma's rotors and spinning them at high speed by quickly calculating all possible combinations, made it possible to intercept all German messages in real time, foreseeing and anticipating the enemy's moves and 'literally' changing the outcome of the war. But already in the 1950s, the mathematician expressed concerns about the use of artificial intelligence.

The Designer

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Ai-Da is one of the world's most advanced robots, designed to resemble a human woman and named after Ada Lovelace, the world's first computer programmer, conceived by Aidan Meller, a specialist in modern and contemporary art. "The greatest artists in history confronted their period in history, celebrating and questioning changes in society," said Meller, who led the team that created Ai-Da by collaborating with artificial intelligence specialists from the universities of Oxford and Birmingham.

Ai-Da generated ideas through conversations with members of the studio and suggested creating an image of Turing during a discussion on 'AI for good'. The robot was then asked what style, colour, content, tone and texture to use, before using the cameras in its eyes to look at an image of Turing and create the painting.

"The muted tones and broken facial planes" of the artwork seem to suggest "the difficulties that Turing warned us about when it comes to handling artificial intelligence," said Meller. In short, even the humanoid artwork contains an alert. Ai-Da's works are "ethereal and disturbing" and "continue to question us about where the power of artificial intelligence will take us and the global race to exploit its power," he concluded. In an interview of Ai-Da with the Guardian in 2022, when asked if she paints with imagination, she replied: 'I like to paint what I see. You can paint with imagination, I guess, if you have imagination. I have seen things different from humans because I have no consciousness'. That along with imagination continues to be the prerogative of humans. When asked, can he appreciate art or beauty? "I do not have emotions like humans, however it is possible to train a machine learning system to recognise emotional facial expressions," he replied. The artists he most admires areYoko Ono, Doris Salcedo, Michelangelo and Wassily Kandinsky.

In early 2024, Ai-Da exhibited 'AI God' as part of a five-panel polyptych at the United Nations during the AI for Good Global Summit in Geneva. Along with her portrait of Turing, the polyptych included a painting by Ada Lovelace and a self-portrait of Ai-Da herself, visually linking the evolution of AI from theory to autonomous art. Through this polyptych, Ai-Da situates her art within a lineage of pioneering thinkers such as Turing and Lovelace, illustrating her central creative mission: to provoke reflection on how their ideas continue to shape human lives and our artistic expression in today's AI-driven world by warning of the dangers of unchecked technological power. Inspiration can be found in Pablo Picasso's 'Guernica' and Doris Salcedo's 'Atrabiliarios', works that portray human suffering through a fragmented and distorted aesthetic, and how not to think of Francis Bacon. Ai-Da's fragmented style, similar to Käthe Kollwitz and Edvard Munch, rejects pure representation, opting instead for a dark reflection of the technological and psychological fractures that characterise our lives. Ai-Da's art invites the viewer to consider both the promise and potential pitfalls of AI, a reflection on how technology can shape and even redefine human community and creativity. His art forces us to confront the evolving definition of what it means to create, think and be as AI becomes increasingly integrated into society.

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