London

Showcasing the style of Elizabeth II

by Nicol Degli Innocenti - LONDON

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

Elizabeth II, the queen who spanned a century of history and also of fashion, was born on 21 April 1926. To celebrate the centenary of her birth, the Royal Collection Trust organised the largest exhibition ever dedicated to the longest-serving queen of the British monarchy, which chronicles her personal and inimitable style.

Over two hundred of the dresses worn by Elisabeth from her childhood until the last years of her life were selected for the exhibition from the four thousand contained in the royal archive, as well as jewellery, scarves, shoes, hats and the ever-present handbags.

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"Queen Elizabeth II: Her Life in Style", which has just opened its doors at the King's Gallery in Buckingham Palace, is meant to be a tribute to the queen who, while following the evolution of fashions, always had an individual style and very precise tastes, but it is also a celebration of British haute couture and textiles, which Elizabeth supported throughout her life.

"His look is instantly recognisable and distinctive, and even at the age of 90, he did not hesitate to wear neon colours to be visible to the crowd," explains Caroline de Guitaut, curator of the exhibition. "Perhaps less well known is how well he recognised both artistic and entrepreneurial talent, and how passionately he always promoted the British fashion industry.

Lo stile di Elisabetta II in mostra

Photogallery17 foto

When she was a child Elisabeth and her sister Margaret were dressed 'à la Parisienne' by the French designer Jeanne Lanvin, who also created matching mini-dresses for their dolls. As soon as she was able to choose, however, Elisabeth was loyal to a number of decidedly British designers who accompanied her for decades, creating evening and formal dresses, day dresses and outfits for hunting trips, cruises and numerous trips abroad. Her patronage made famous names such as Norman Hartnell, Hardy Amies and Angela Kelly.

The dresses on display reveal the Queen's many roles: there are military uniforms for parades, tweed suits for weekends in the country, suits of all colours with matching caps for daytime engagements, and an astonishing array of evening and formal wear for gala dinners and ballroom parties in Britain and abroad.

Four spectacular dresses each deserve their own display case, embellished with the accessories worn for the occasion and the designer's original watercolour sketches. The first is Elizabeth's wedding dress, worn for her wedding to Prince Philip on 20 November 1947. Created by Hartnell and inspired by Sandro Botticelli's Primavera, it is made of Scottish silk satin embroidered with flowers as a symbol of rebirth and hope after the Second World War, with a four-metre train.

The second is the dress worn for the 1953 coronation, the first broadcast live on television and watched by hundreds of millions of people around the world. Another creation by Hartnell in white silk satin, embellished with embroidery that by the Queen's express wish had to be coloured (whereas tradition stipulated only white and gold) and represent flowers not only from the United Kingdom but also from the colonies of which she was then sovereign.

The third is the blue silk faille dress with crinoline skirt and embroidered jacket created by Hartnell for Princess Margaret's wedding on 6 May 1960, the last royal wedding with a long dress requirement. The fourth special display case houses the grey silk gown embroidered in gold created by Hardy Amies for the banquet at the White House during Queen Elizabeth's first official visit to the United States in October 1957, hosted by President Dwight Eisenhower.

The final part of the exhibition recalls the impact that Elizabeth had on contemporary designers, not only English designers such as Erdem, Richard Quinn and Christopher Kane, but also Italians such as Alessandro Michele and Miuccia Prada, who were openly inspired by her style. At London Fashion Week in September 2022, immediately after the death of Elizabeth II, Jonathan Anderson expressed everyone's sentiment when he sent a simple black dress down the catwalk with the inscription: 'Her Majesty The Queen 1926-2022. Thank you'.

Elizabeth II: Her Life in Style, until 18 October 2026, The King's Gallery, Buckingham Palace, London

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