Music

Salzburg Festival 2024: returns and novelties

Prokofiev's 'The Player' premiered, directed by Peter Sellars and the Vienna Philharmonic Orchestra conducted by Timur Zangiev

by Flavia Foradini

3' min read

3' min read

With 172 events over 44 days and a budget of almost 70 million euros, the Salzburg Festival opens on 19 July. Confirmed at its helm until 2031 is the Italian-Austrian musician Markus Hinterhäuser, who has been in office since 2016 but has worked with the Salzburger Festspiele since 1993. The playbill that bears his signature is, as always, divided into opera, drama and concerts, and is enhanced by a special programme for young people and the 'Ouverture Spirituelle' series of events.

Il musicista italo-austriaco Markus Hinterhäuser

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For the opera section, new productions include Prokofiev's 'The Player', based on the Dostoevsky text of the same name, directed by Peter Sellars and conducted by the Vienna Philharmonic Orchestra under Timur Zangiev (12-28 August, Felsenreitschule).

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Another first for the Festspiele and still Dostoevsky is 'The Idiot', by the Russian-Polish composer Mieczyslaw Weinberg. It is directed by Krysztof Warliowski, and the Wiener direction by Mirga Grazinyté-Tyla (2-23 August, Felsenreitschule).

Salisburgo

"The Tales of Hoffmann" sees French director Mariame Clément in Salzburg for the first time (13-30 August, Grosses Festspielhaus). On the podium of the Vienna Philharmonic is Marc Minkowski.

New concert productions include 'Hamlet' by French composer Ambroise Thomas, with Bertrand de Billy and the Mozarteum orchestra, (16-19 August, Felsenreitschule) and 'Capriccio' by Richard Strauss with Christian Thielemann on the Wiener podium (26, 31 July and 4 August, Grosses Festspielhaus).

Still concertant are the double proposal of Luigi Dallapiccola's 'Il prigioniero' and Luigi Nono's 'Il canto sospeso' (25 July, Felsenreitschule) conducted by Maxime Pascal, as well as Beat Furrer's 'Begehren', conducted by the same composer and the Klangforum Wien orchestra, on texts by Cesare Pavese, Günter Eich, Ovid and Virgil (29 July, Kollegienkirche).

“La clemenza di Tito”, nella regia di Robert Carsen e la direzione d’orchestra di Gianluca Capuano

Among the revivals: 'Don Giovanni', directed by Romeo Castellucci and Teodor Currentzis conducting his Utopia Orchestra and Utopia Choir (28 July-19 August, Grosses Festspielhaus), while from this year's Whitsun Festival comes the revival of 'La clemenza di Tito', directed by Robert Carsen and conducted by Gianluca Capuano. With Cecilia Bartoli in the role of Sesto (1-13 August, Haus für Mozart), it is a performance that was very well received by audience and critics in May.

Again Robert Carsen signs (together with Luis Carvalho) the new production of Hoffmannsthal's 'Ognuno', the unfailing centrepiece of the prose programme. The title role is entrusted to Philippe Hochmair. This year's cast also includes Andrea Jonasson in the role of Ognuno's mother (20 July - 28 August, Piazza del Duomo).

'Spiegelneuronen', on the other hand, is the result of a collaboration between choreographer Sasha Waltz and the Rimini Protokoll group. The theme is the relationship between brain and body. The direction of this world premiere, aimed at involving the audience, is by Stefan Kaegi (Szene Salzburg, 14-21 August).

Prose

Again for prose, Krystian Lupa presents his own version of Thomas Mann's 'The Magic Mountain' (20-28 August, Landestheater), while in collaboration with Bad Ischl-Salzkammergut European Capital of Culture 2024, composer and director Heiner Goebbles presents his multimedia performance 'Everything That Happened and Would Happen', dedicated to the last hundred years of European history (23-25 August, Perner Insel).

The concert programme is always rich, with the traditional five dates with the Vienna Philharmonic Orchestra at the centre, including Riccardo Muti tackling Anton Bruckner's Eighth Symphony in the bicentenary year of his birth (17 August, Grosses Festspielhaus).

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