'MaXXXine', the conclusion of the trilogy is an homage to genre cinema
The third instalment of the franchise directed by Ti West and starring Mia Goth is arriving in cinemas. Also among the new releases is 'Invelle' by Simone Massi
3' min read
Key points
3' min read
We have reached the conclusion of what can now be defined as the 'X Trilogy': in Italian cinemas this week saw the release of 'MaXXXine', the third chapter of the saga directed by Ti West, which began with 'X - A Sexy Horror Story' and continued with 'Pearl', a prequel to the first film.
The protagonist is as always Mia Goth, here as Maxine, an established actress in the world of hardcore cinema, but with decidedly different ambitions. She would like to become a big star and the opportunity presents itself to her thanks to the production of a horror film in which she will be the main performer. Things, however, take a turn for the worse because of a serial killer and a detective who threaten her, for different reasons.
Set in the mid-1980s, 'MaXXXine' is a film deeply connected to the period it has chosen to deal with: it is no coincidence that we are in the middle of a decade in which the pornography industry, and the film industry in general, undergoes a major change.
Director Ti West recounts all the cruelty of Hollywood, the shadows rather than the lights of the Mecca of Cinema, always placing a strong emphasis on the period described, also and above all because of the formal choices made.
From the cinematography to the soundtrack, passing by cult objects of those years (including VHS), 'MaXXXine' is yet another revival film of the 1980s, a decade that continues to haunt and fascinate so many filmmakers today.


