Weekend films

'The Ugly Stepsister', the perfect horror film for Halloween

Norwegian director Emilie Blichfeldt's powerful debut arrives in theatres, but the Brazilian 'The Blue Path' also makes a positive impression

by Andrea Chimento

The Ugly Stepsister

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

 

How to turn Cinderella's fairy tale on its head by taking the point of view of her half-sister? The Ugly Stepsister, the feature debut of Norwegian director Emilie Blichfeldt, is the perfect film for those looking for an intelligent horror film to watch on Halloween.

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After having been screened at several international festivals (among the first were the Sundance Film Festival and the Berlinale), this feature film, which takes its inspiration from the famous fairy tale to bring forth a series of reflections that are anything but trivial, has finally arrived in our cinemas.

At the centre of the plot is Elvira, a young girl who lives with her sister and mother Rebekka. Rebekka has recently married an older man in the hope of gaining wealth and privilege, and in the meantime has become stepmother to her husband's daughter Agnes from a previous marriage. On their wedding night, however, Agnes' father suddenly dies and the family discovers that he is actually penniless. Worried that she is too old to find a new man rich enough to support them, Rebekka decides to marry off one of her daughters. She chooses Elvira because she has already reached puberty, but she is also aware that her daughter does not look good enough to try to win the coveted Prince... especially if her beautiful stepsister Agnes were to enter the competition.

As extreme in its staging as it is in its content, the film is a feminist and feminist tale that uses the horror genre in a political and sociological key, setting the story in the past to speak of the present.

“The Ugly Stepsister” e gli altri film della settimana

Photogallery4 foto

A body horror of great aesthetic strength

In addition to content, there is also a great aesthetic focus in this film enhanced by an impressive electronic soundtrack and cinematography that combines Victorian-like imagery with a grotesque register that is never abandoned in the course of viewing.

The film may be reminiscent of several films from the past (the cinema of Walerian Borowczyk, first and foremost), but it fits perfectly into the logic of more intelligent contemporary body horror, thanks to its stylistic originality.

It is by no means an easy viewing and some excesses here and there could have been trimmed, but the overall design is so profound and evocative that all fans of the horror genre will definitely not miss it.

The Blue Path

Another successful and intriguing film is 'The Blue Path', a Brazilian film and another of the weekend's most interesting titles in cinemas.

Set in the near future, in a society where productivity has become the main objective, the film recounts a time when the government has imposed a law forcing the elderly to move into residential colonies, in order to reduce costs and optimise resources. These are isolated places where they can live in peace, but without any connection to society and deprived of any active role in the collective present.

Tereza, a 77-year-old woman who has lived all her life in a small, industrialised town in the Brazilian Amazon, receives an official order from the government requiring her to move to one of these communities, where she will spend the rest of her days. Despite the promise of a peaceful and comfortable life, Tereza refuses and decides to openly defy authority.

Directed by Gabriel Mascaro, this film presented in competition at the last Berlin Film Festival is a real journey in search of a last great adventure and freedom that the government wants to take away from the protagonist.

Again, some of the cues are familiar, but the film still manages to enthrall with its extremely lucid and sharp reasoning on the relationship between human beings and power.

Mascaro mixes various genres - from adventure to fantasy - but above all he signs a political feature film capable of dealing with decidedly complex issues with extreme delicacy. A film to be seen.

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