"Bird', the metaphor of growing up in a touching film
Among the new releases at the cinema is the new feature film by Andrea Arnold, presented in competition at last year's Cannes Film Festival
3' min read
3' min read
Andrea Arnold is a director who never leaves one indifferent and her latest work, 'Bird', one of the most eagerly awaited films of the weekend in theatres, presented at last year's Cannes Film Festival, where the British director had already been awarded several times in the past: in 2006 for 'Red Road', in 2009 for 'Fish Tank' and in 2016 for 'American Honey', is no exception.
At the centre of 'Bird' is Bailey, a twelve-year-old girl who lives with her father and brother in north Kent. Her father, however, does not pay her much attention and she turns her gaze elsewhere in search of new experiences.
It only takes a few minutes to recognise the style of Andrea Arnold, a filmmaker who always relies heavily on the hand-held camera and always manages to deliver extremely dynamic and vital films.
Thanks also to the pounding soundtrack, the involvement is very high in this feature film about dysfunctional families and, above all, a decisive moment in the life of its protagonist.
'Bird' is in fact a classic coming-of-age whose symbolism is at times all too explicit and didactic, but where the overall design succeeds in effectively representing such a delicate existential transition.

