In Parliament

From FdI bill to lower VAT on art

Waiting for the government to enter into the merits of the fiscal proxy pressing Meloni's party. And the Supreme Court defines occasional speculation as the buying and selling of a Monet

5' min read

5' min read

The proxy for tax reform (Law No. 111/2023) mandates the Government to reduce the VAT rate on the import of works of art, transposing Council Directive (EU) 2022/542 of 5 April 2022 and extending the reduced rate also to the supply of works of art, antiques or collectors' items.

The legislative decree to be issued by the government would go through parliament to receive the opinions of the relevant commissions. But in the meantime in the Culture Commission....

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The proposal is a pressing for the tax delegation

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On 25 July, the parliamentary initiative bill of deputies Alessandro Amorese and Saverio Congedo, both of FdI, was filed. It puts pressure on the government precisely because it has not yet legislated on art, despite the fact that the tax delegation has already been approved a year ago. FdI's initiative bill would have to undergo a long and thorough examination in Parliament with the possibility of being amended with amendments. While with the tax delegation the timeframe would be faster and should be within 31 December 2024, the date from which Italy will have to compete on the European market with a reduced VAT in France (5.5%) and Germany (7%). The purpose of the draft law is to boost the economy of the art and antiques sector by reducing the VAT rate on art, antiques and collectibles. Article 2, in fact, provides for changes to the regulation of the 5% VAT rate on imported works of art, antiques and collectibles and on the works of art listed in letter a) of the Table of Decree-Law No. 41/1995 sold by authors, their heirs or legatees. On the financial coverage front, the charges deriving from the provisions of the law, estimated at €35 million per year starting from 2024, will be covered through funds allocated to the Ministry of Economy and Finance.

Amorese, leader of Fratelli d'Italia's group in the Chamber's Culture Commission, spoke a few days ago in the Commission, declaring: 'The link between taxation and art is of great importance from several points of view and for various categories operating in the sector, including collectors, gallery owners, museums, consultants and artists. This is why Fratelli d'Italia, aware of the cultural but also economic importance of the entire sector, is continuing its careful study and analysis work, which will lead to a series of proposals aimed at making our nation competitive also in this particular field. We intend, among other things, to work on revising the fiscal discipline on the taxation of the buying and selling of works of art, on which we could intervene, for example, by reducing the relative value added tax. At present, the contemporary art market is shifting its centres of interest towards those countries that have already implemented tax breaks for the sector (France and Germany in particular), with serious penalisation for contemporary Italian culture and creativity, which risk being marginalised within the global art market. Italy has an enormous cultural heritage: we will do our utmost to enhance it in every aspect'.

Court case: when the collector becomes an occasional speculator

It is a pity that on the legal front there is still no unified line in defining speculative behaviour on the part of the private collector. A few days ago, the Court of Cassation ruled that for a Monet painting purchased for EUR 1.5 million in 2006 and resold after seven years at EUR 6.5 million, capital gains taxes must be paid. The high court rejected the appeal against the Agenzia delle Entrate filed by Ilaria Bastoni, the daughter of Osvaldo (former manager of Marangoni Pneumatici who died at 86 in 2020). For that affair, the same public prosecutor had brought the art collector to trial on charges of tax evasion. From a criminal point of view, however, the matter ended with the extinction of the crime, precisely because the defendant had passed away. The Provincial Tax Commission had also found no wrongdoing.

Of an opposite opinion, in 2022, was the Regional Commission: the tax appeal had, instead, framed the former manager's activity in the artistic field as 'non-habitual business' and, in particular, as 'occasional speculation' and, therefore, generating different and therefore taxable income. The daughter, and heir of the Rovereto collector, appealed the decision to the Court of Cassation, which, however, rejected the appeal. The defence's argument, which insisted over the years on Osvaldo Bastoni's status as a collector and not an art dealer, was of no avail. This is a fundamental distinction given that, in the first case, he is a pure collector and therefore non-profit making.

But it is precisely the valorisation through exhibition that is the discriminating factor: 'Bastoni,' the ermines recall, 'had admitted that, in 2013, in addition to having sold the work of art by Monet, he had also purchased three works of art, still in his possession, from Sotheby's and had exchanged four paintings by Segantini for one by Gauguin. He also noted that in the preceding and subsequent years, Bastoni had also bought and sold numerous other works, again through auction houses of worldwide prestige, naturally carrying out commercial activities'.

The judges, of course, refer to the ruling of the regional tax commission, which reiterated that 'Bastoni could not be considered a dealer in works of art, but noted that many works he owned had been exhibited at the Mart and in American museums, which would have led to an increase in the value of these works, which were then resold after they had reached prices above the purchase price'. 'From these circumstances,' the Court of Cassation then reiterated, 'the tax commission drew the conviction that, although the collector did not habitually engage in entrepreneurial-commercial activity, he had, however, concluded purchases, sales and other transactions intended to increase the overall value of the works that were the subject of the sale and, therefore, not only to contemplate their beauty or satisfy his own aesthetic taste or for a cultural purpose. He therefore considered that this activity was to be regarded as a non-habitual commercial activity and, in particular, as 'occasional speculation' and, as such, liable to generate 'miscellaneous income' liable to tax'.

On the other hand, the act even of public benefit of a private collector lending one of his works to an exhibition for the enjoyment of the community and for scientific reasons is not grasped at all.

The commission therefore considered that Bastoni, although a collector, had not dedicated himself to the mere accumulation of works (evidently the only purpose according to the judges of collecting) but had carried out activities aimed at their valorisation and exchange, when this appeared economically convenient. Evidently for the Tax Commission, works of art in private hands must not have public use, otherwise the venal sin of valorisation is committed! It is a pity that the law on constraints (Legislative Decree 42/2004), which obliges the private individual to a series of limitations (Art. 14) on works of cultural interest (Art. 13) does not even oblige the State to take on the burden of displaying them, in short, it does not provide for public enjoyment even in the presence of a collective cultural interest. In short, masterpieces according to tax experts, the Court of Cassation and legislators should remain in secret private rooms. And perhaps be forgotten!

In addition to the damage, there is also the mockery for the heir. In addition to having to pay taxes, Ilaria Bastoni must also meet the court costs incurred by the Inland Revenue amounting to EUR 12,000. It is now hoped that the current bill to regulate the art trade will also provide more certainty on the taxation of art capital gains. This has recently been demanded in a position paper Assonime, by accountants, notaries, Confindustria, museums in the voice of Amaci and, of course, all art dealers gathered in the Apollo Group. The launch of the tax reform cannot wait any longer.

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