From the TV monopoly to participatory streaming: the ‘Cazé revolution’ in Brazil
In Brazil, Cazè TV, a YouTube channel, has acquired the rights to broadcast all 104 World Cup matches live
There is one image that, more than any other, captures the paradigm shift currently taking place in the sports rights market: millions of users connected simultaneously to a live stream on YouTube, commenting, reacting and sharing in real time, whilst the match unfolds on screen. This is not an experiment, but a business model set to redefine the landscape of sports entertainment.
Its testing ground is Brazil, a traditional stronghold of mainstream television, and the star of the show is CazéTV. Born almost as a joke from an idea by the streamer Casimiro Miguel – known as ‘Cazé’ to millions of followers – the channel has transformed itself in just a few years from a platform for comedy content into a credible competitor to the giant TV Globo, the undisputed ruler of football broadcasting ever since the 1982 World Cup in Spain.
The turning point came in 2022, when Cazé joined forces with the sports marketing company LiveMode: rights acquired on favourable terms, digital experimentation and a narrative style that was completely different from that of traditional television.
The World Cup in Qatar represents the first large-scale test. Twenty-two matches broadcast free of charge, peaks of almost 7 million concurrent viewers and, above all, proof that digital distribution can be not only sustainable but highly profitable. This is the point of no return: football is now firmly part of the streaming platform ecosystem, where the audience is no longer passive but actively engaged.
Today, with the new World Cup – streamed in full for free in Brazil – the phenomenon has come of age. The figures are more indicative of the media economy than of mere entertainment: over 12 million devices connected for the Brazil v Morocco match, around 2 billion reais raised in sponsorship (almost 400 million euros), and a combined following of over 30 million thanks to the involvement of influencers. And that’s not all: the schedule runs 24 hours a day, featuring supplementary content, highlights, behind-the-scenes footage and social media interactions.



