From washi paper to Tagami's works. Advice from an aesthete, Satoshi Kondo
The creative director of Issey Miyake is a fan of Pina Bausch and how contemporary dance makes the body speak: this is what he also sets out to do when he designs a collection.
5' min read
5' min read
DISTINCTIVE SIGNS OF MY STYLE I often wear a black cap: I have many, almost all vintage, made of cotton or wool depending on the season. And then, my glasses. My favourite, with thin metal frames, are by the Japanese brand Eyevan (eyevan.com, Merced model in titanium, 416 euros, at goodseeco.com).
MY STYLE ICON I never had one, because from a young age I liked to freely decide what to wear, without being influenced by the taste of others. I think it has to do with the desire to always make individual choices.
WHAT INSPIRES ME Contemporary dance. I am a fan of Pina Bausch and last September at the Tokyo International Forum I saw her The Rite of Spring with dancers from 14 African countries. What fascinates me about contemporary dance is the way in which the body becomes an instrument of expression: I too, as a designer for Issey Miyake, work with the body (Pina Bausch's show Café Müller, 10-13/7, pinabausch.org; t-i-forum.co.jp, on stage at the Tanztheater Wuppertal in Vienna).
The OBJECT FROM WHICH I WOULD NEVER SEPARATE MYSELF A decade ago, I bought a painting by Japanese artist Masakatsu Tagami, the first major work I bought in my life. I really love Tagami's primitive and abstract work. The painting still hangs in my living room, I see it every day: it is part of my life (works from 55 x 40 to 89 x 65 centimetres, from 1,120 to 3,410 euros, at singulart.com).
LAST OBJECT I PURCHASED A car: the Berlingo Citroën suv, ideal for my family, especially when we go camping. Why a European car? Some time ago, in Mallorca, I saw a vintage Citroën, I liked it so much that I immediately tried to buy it. That model was out of the market, so I opted for a newer one (Citroën Berlingo Live M BlueHDi 100, from 23,400 euros, citroen.co.uk).









