Design

Salone del Mobile closes with over 316,000 visitors. Record number of foreign buyers

Edition above expectations, confirming the centrality of this platform at a complex time for the market

by Giovanna Mancini

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

Full pavilions, long queues in front of the stands: the 'usual' Salone del Mobile. Full, overflowing, full of energy. As if wars and geopolitical tensions with devastating effects on the global economy were not going on outside.

Yet, a few weeks after the start of the war in Iran, some had even started lobbying for the organisers to postpone the dates of the Salone del Mobile, fearing that the chaos in air transport, as well as concerns about a possible global economic recession, would lead to a drastic drop in visitors.

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Thereafter, the ticket pre-sale numbers, which continued to remain at last year's levels in the weeks that followed, were an initial encouraging sign for the companies that invest every year to attend this event. Confirmation came in the last few days, with hundreds of thousands of people arriving in the Fiera Milano spaces in Rho to see the products of over 1,900 exhibitors from 32 countries, with a hard core (around two thirds) of Italian brands, representing a sector that generates a production turnover of 27.7 billion euro (data from FederlegnoArredo).

Now the official numbers confirm the exhibitors' feelings: there were (at 12.30 p.m. on Sunday, so potentially even more) 316,342 visitors, with a record number of foreign operators (over 68%). The ranking of the top 20 countries present is interesting, with China in the lead, confirming its post-Covid recovery, followed by Germany in second place, up 5%. Spain is in third place (+8.7%). The United States (+8.8%) and the United Kingdom (+10%) also did well. Among the most dynamic geographies, we mention Mercosur, with Brazil in fourth place and South Korea (+4.5%). in 14th place.
Beyond the numbers, there is great satisfaction among the organisers, first and foremost the President of the Show, Maria Porro, and the President of FederlegnoArredo, Claudio Feltrin.

The voices of the exhibitors

It went 'very well' according to Michele and Giovanni Gervasoni, CEO and president respectively of the eponymous company: 'The situation outside is very difficult, but the energy and positive mood inside is incredible. You don't notice any kind of decline,' adds the ceo. And it's not just a psychological issue (which, in any case, for those who do business is not an irrelevant detail): "Seeing that customers are coming, that they are relaxed, that they appreciate the products and start negotiations is a sign that the market is alive, that business is moving forward," observes Angelo Meroni, president of Lema, who confirms the large number of visitors reported by all the entrepreneurs we met.

"The Show is a certainty," says Massimiliano Messino, president of Flou. "We will come out of this fair better than we went in, aware that, even if the market situation is very complex, a good Show can put an entire year's business back on track.

Kartell's stand, an impressive 1,500 square metres, recorded even higher numbers than the 2024 edition, with over 60,000 visitors.

A stable and reliable platform

In times like these, moreover, the Show "confirms itself as the best antidote to the market's criticality," says President Maria Porro, recalling the long work behind the scenes and in particular the numerous promotional activities abroad, which have increased buyers from countries such as the United States, Brazil, and China, also compensating for the lack of arrivals from some regions of the Middle East.

 For Claudio Feltrin, president of FederlegnoArredo, the Show is a "healthy bearer of confidence". The companies at the fair "have worked well these days," adds Feltrin, who speaks of a performance beyond expectations for this year's edition.

 "The Show has a duty to be a stable, open and reliable platform," adds Porro. An 'economic and cultural infrastructure' capable of intercepting and interpreting changes in the market and evolving to provide companies with the tools they need to deal with these changes.

Innovations: Raritas and Contract

 This is demonstrated by the many innovations presented this year, including new formats such as Salone Raritas and the launch of Salone Contract, which will make its debut next year, aimed at that segment of the market (large projects) that more than any other is supporting the growth and competitiveness of the Italian furniture industry.

 Claudio Feltrin also emphasises this aspect: "The market for large projects is one that many Italian companies are already familiar with, but it is a complex, non-repetitive world governed by different rules than retail, and this requires different skills and business models. What has been missing is a platform for all the stakeholders operating in this field to meet and exchange ideas, and our aim is to create an event that meets this need.

It is precisely these innovations that could convince some major furniture brands - which in recent years have left the show to concentrate their presentations in their own showrooms in the city - to return to the fair, benefiting from a new and more specific, targeted formula. This would be a way to really create a system and stem the fragmentation that characterises this sector like so many others in Italian manufacturing and which, in the face of major crises and the enormous challenges posed by the world, are no longer sustainable for our country's economy.

Success also in the city

Excellent numbers also for the more than one thousand initiatives of the Fuorisalone. Record admissions for Interni's exhibition-event, "Materiae": 275,000 admissions were recorded at the Statale di Milano, compared to 250,000 last year. At the Brera Botanical Garden over 57 thousand (50 thousand in 2025). At the Audi x Zaha Hadid Architects Portrait saw as many as 170 thousand admissions, against 150 thousand last year. "Materiae" will be open to the public until 30 April at the Statale and the Orto Botanico.

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