In concert

Gile Bae's piano makes music dance

Three portraits, three voices, three worlds is a programme of different pieces united by a sense of rhythm

by Marzia Redaelli

2' min read

2' min read

It is music that enhances the sense of dance and rhythm that Gile Bae played at the Trento Philharmonic.

The sequence of tracks

.

The internationally renowned pianist played Johann Sebastian Bach's English Suite No. 4, Ludwig Van Beethoven's Sonata No. 18 (The Hunt) and Sergei Prokofiev's Second Piano Sonata. The universal language of music is the leitmotif of the setlist, which combines pieces by very different composers who lived even centuries apart.

Loading...

Dance sense

.

'I chose these pieces,' Bae explains, 'because, although they are from very different eras (from Bach to Prokofiev there are 300 years of history), they all have rhythm and, above all, a sense of dance in common. The combination, therefore, allows us to hear how in three different periods of musical composition the same criteria were used, namely melody and a strong sense of rhythm, albeit in three very different ways. In addition, listening to the three pieces in sequence helps to understand the spirit that animates each composer'.

Uto Ughi: ”Ci vuole anche eroismo per andare contro corrente”

Hope for tomorrow's audience

.

This is not the first time that Bae has taken part in the Festival of Economics, and she thought of a programme that would appeal to a diverse audience, who took advantage of the event to listen to her at the piano. "Every year," says Bae, "I hope that there will be more and more young people, because passing on the passion for classical music is an important goal for us musicians and, in particular, for the younger ones, who can have an influence on the new generations and who can find more effective ways to attract young people, our audience of tomorrow, to the concert halls.

Children do not get very close to classical music because they have little education in listening to it. Gile Bae, on the other hand, began studying the violin at a very young age with her musician mother, and then switched to the piano at the age of five, partly so she could play with her.

'It all starts when one is a child, with parents, with schools,' concludes the pianist. 'Unfortunately, even young people who want to approach classical music do not know where to begin. Yet, little is needed to stretch out our hands to them and lead them on a path of education to the pleasure of music, which is also a way to help them develop their imagination'.

Copyright reserved ©
Loading...

Brand connect

Loading...

Newsletter

Notizie e approfondimenti sugli avvenimenti politici, economici e finanziari.

Iscriviti