The Milan fashion shows /6

Giorgio Armani, a farewell rhapsody in blue and grey

The fashion show celebrating the company's 50th anniversary in the Brera courtyard becomes an emotional remembrance of the designer: his last collection on the catwalk, stars and friends in the parterre

3' min read

3' min read

The last, exciting day of Milan Fashion Week is almost entirely dedicated to Giorgio Armani. The fashion show, in the magnificent courtyard of the Brera Academy and not in the usual spaces, would have been special anyway. In fact, the event was originally conceived to celebrate the brand's 50th anniversary. Accompanying it a beautiful retrospective exhibition, entitled Giorgio Armani: Milan, for love, set up in the rooms of the Pinacoteca and containing a wide selection of clothes from five decades of collections, displayed in dialogue with masterpieces by, among others, Caravaggio and Raffaello Sanzio, an exhibition that will be open until 11 January 2026.

Armani, la collezione PE 26

Photogallery33 foto

Mr Armani, however, passed away on 4 September, so things took a different turn: a heartfelt tribute to a designer and entrepreneur who, together with his contemporaries - all deceased with the exception of Valentino Garavani - forged the very concept of Italian style, a peculiar way of both designing clothes and doing business.

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Armani's creative and at the same time entrepreneurial spirit certainly pervaded Milan Fashion Week, which now passes the baton to Paris for catwalk shows and presentations of the collections that will propel us into spring-summer 2026. The catwalk debuts have catalysed the attention of many, but there have also been many different shop openings, from Fendi to Saint Laurent, and the business for the city (see Il Sole 24 Ore of 23 September) has reached record figures, with full hotels and excellent sales in the boutiques in the centre.

Returning to the figure of Armani, it should be remembered that he was the only one truly capable of making inroads into popular culture and becoming a household name for everyone, not just fashion enthusiasts. This happened for a variety of reasons: a straightforward way with words and a great ability as a communicator; strong ties with the world of cinema; the desire to offer products to everyone.

The evening is a celebration and recapitulation of everything that makes Armani, Armani: the understated style full of feeling; the starry audience; the ability to 'Armaniise' everything. The Brera arcades become a very Armani ambience, beige and pearly, with the light softened by lanterns.

Ludovico Einaudi al pianoforte

Accompanied by Ludovico Einaudi's "Nuvole Bianche" performed live on the piano, the fashion show unravels a veritable panoply of Armanismo in front of an audience that includes among others Richard Gere, Lauren Hutton, Spike Lee, Samuel L. Jackson, Cate Blanchett. They are all there, silent and attentive, to pay homage to the designer who dressed them at crucial moments in their respective careers, making them look like themselves, but better. That, in a nutshell, was Giorgio Armani's unquestionable skill.

Dedicated to two symbolic places in his universe, the collection oscillates between the greys and suits of Milan and the blues, browns and flowing lines of Pantelleria, the Mediterranean island that the designer and entrepreneur considered to be his heartland.

Leo Dell’Orco e Silvana Armani al termine della sfilata

It is yet another particularly successful iteration of a well-defined code, like so many recent Armani collections, but history makes it a testament. From now on, the Armani style can only be interpreted. Its author is no longer with us. When Silvana Armani and Leo Dell'Orco come out onto the catwalk for the final salute, it is clear that we are at the beginning of a new cycle.

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