1942-2025

Brian Wilson, surfless portrait of the man who 'heard voices' in the Beach Boys

The founder and main songwriter of the Californian band dies at the age of 82. His life between 'Endless Summer' and the struggle with inner demons

by Francesco Prisco

Brian Wilson, membro fondatore e principale autore dei Beach Boys, è morto a 82 anni

4' min read

4' min read

Voices were his fortune and his doom. Those he 'harmonised', as if he were a kind of chapel master on a mission for Bach in the Californian 'Endless Summer'. Those that - stimulated by alcohol and psychedelic drugs - spoke to him inside, tormented him and pushed him to the edge. Brian Wilson, founding member and principal songwriter of the Beach Boys died at 82, was one of the greatest songwriters of his generation but also a fragile person, someone who finds himself overnight at the top of world pop but can never really get over the trauma of his controversial relationship with his father.

"God Only Knows", the most beautiful song of the Sixties (according to Macca)

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On his talents as a composer vouches a certain Paul McCartney, born on the other side of the world just two days before him but always ready to admit that God Only Knows is the most beautiful song of the 1960s. Beatles aside, of course. Fragility had it written all over his face as a shy big boy with a sweet, lopsided smile, partially deaf, presumably from the beatings he suffered at the hands of his father, teacher and manager Murry Wilson. A guy who rarely touched a surfboard except to advertise his band. The band par excellence of surf music, with more than 30 Top 40 singles and over 100 million copies sold worldwide.

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I primi Beach Boys: Brian Wilson è il primo da sinistra

To the origins of the Beach Boys

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His musical talents were evident even as a boy, when he played the piano and taught his brothers - guitarist Carl and drummer Denis, both younger, yet gone before him - to sing in harmony. Brian played bass, but an extra charisma was needed and so cousin Mike Love was hired. Spurred on by dad Murry, a failed musician and cynical man, they started as a neighbourhood band, rehearsing in Brian's bedroom and the garage of their house in suburban Hawthorne, California. Surf music was catching on locally and Dennis, the only real surfer in the group, suggested making a virtue of necessity. Brian and Love hastily wrote their first single, Surfin' a minor hit released in 1961.

Un’immagine promozionale dei primi Beach Boys

They wanted to call themselves Pendletones, in honour of a then-popular shirt. But when they first saw the prints of Surfin', they discovered that the record label had labelled them as The Beach Boys. This was not the only decision of their career made behind their backs and underwritten by Daddy Murray. At least until the latter, in the mid-1960s, was removed with a lawsuit to accompany it.

I primi Beach Boys dal vivo

The explosion with "Surfin' Usa"

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Their first hit came in early 1963 with Surfin' USA, a half plagiarism of Sweet Little Sixteen, so much so that even with Chuck Berry it would end in litigation. But in any case, that song would be their first Top 10 hit and a true manifesto: 'If everybody had an ocean/ across the United States/ then everybody would surf/ like in California'. Try it to believe it. Between 1963 and 1966, they were hardly ever off the charts, reaching number 1 with the singles I Get Around and Help Me, Rhonda and narrowly missing it with California Girls and Fun, Fun, Fun. In their many TV appearances, they looked cute and cuddly, wore striped shirts and smiled, but inside them - and Brian's in particular - the sea was pretty rough.

The competition with the Beatles

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The long-distance competition with the Beatles, between Brian and Paul in particular, would be one of the greatest fortunes ever for pop music. In 1965, for example, Brian listened to Rubber Soul and was impressed: the era of easy listening songs was a thing of the past, in the world of music there was room for those who wanted to attempt a more complex approach, harmonically, melodically and in terms of arrangement.

Brian Wilson (al centro) con i Beach Boys al Grammy Museum di Los Angeles, nel 2012 (REUTERS)

The result is Pet Sounds (1966), the Beach Boys' masterpiece, perhaps the first album for which the term symphonic pop is not abused. The boys sing but no longer play: in their place are the turntables of Capitol's Wrecking Crew. And next to them a full orchestra. The problem is that Paul relaunched and, listening to Pet Sounds, brought a symphony orchestra into Abbey Road and conceived none other than Sgt. Pepper's Lonely Hearts Club Band (1967). It would have been difficult to relaunch further: Brian tried with Smiley Smile (1967), but apart from that miracle entitled Good Vibrations he felt he was not up to it.

Keeping demons at bay

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Or rather: he feels he doesn't measure up. The tunnel of depression is waiting for him behind the last palm tree on Sunset Boulevard. Accomplicated by the involvement of his brother Dennis - who will die tragically, drowned at sea a few decades later - in the personal affair of the criminally insane Charles Manson.

Brian Wilson nel tour celebrativo di Pet Sounds

Once the Sixties had passed, the Beach Boys would offer few more flashes. They will be above all a revival band, with Brian in and out of the project, partly because of the difficulty of keeping his own demons at bay. Or perhaps more simply, as he confided in one of the most beautiful songs on Pet Sounds, he was aware that he wasn't made for these times: 'I guess I just wasn't made for these times'.

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