'Helium', 5 reasons why the Disney Pixar film nicely explains Trump's US
At the box office it was a flop, yet the science fiction film directed by Molina, Shi and Sharafian perfectly represents this crazy crazy world
3' min read
Key points
3' min read
At the box office it was not exactly a success. On the contrary: with $21 million in the US in its week of release and $72 million globally, it is even Disney Pixar's worst grossing title so far.
Yet Elio, a film directed by Adrian Molina, Domee Shi and Madeline Sharafian in cinemas since June, is a small masterpiece of what used to be called political cinema.
A work that beautifully depicts a contemporaneity made up of Trump's bluster in the White House, the exhausting tug-of-war over tariffs and the humanitarian tragedies of Ukraine and Gaza.
An animated film, sure, but a science fiction one. Coincidentally, the very genre that, in the days of the Cold War (when the various 2001: A Space Odyssey and Solaris were compared), was a formidable tool of soft power to portray the risks and opportunities of a human race always poised on the brink of nuclear catastrophe.
Elio, in his own small way, does the same job. Between quotations from the great American science fiction (the soundtrack that recalls Close Encounters of the Third Kind, the quarantine that smacks of E.T., of course so much of the Star Wars saga) and the reference to universal values such as brotherhood between peoples and the family (not necessarily biological) as a place of affection. For this and much more, there are at least five reasons that make Elio a magnificent tale of Trump's America and, more generally, of this confused contemporaneity. Let us see which ones.

