How to: style lessons. What remains of the Venetian red carpet

Benedetta Porcaroli awarded as best actress in the Orizzonti series, starring in the film The Abduction of Arabella, written and directed by Carolina Cavalli, marked her presence in Laguna with a very precise style signature: Prada. For the arrival a bare-shouldered short, with yellow gold chain bracelets by Pomellato. Long, romantic but ironic, the dress chosen for the screening, with small flowers on a white background with a lace profile. For this look, the Rivière Zigzag necklace with irregularly cut green tourmalines on yellow gold and diamonds, a unique piece from the Pomellato High Jewelry collection and Nudo ring in diamonds. A black duchesse dress embellished with a basque to emphasise the waist and high necklines in burgundy satin, for the last day's award ceremony.

Atelier Preview for Julia Roberts at her first time at the Venetian show in a long gown designed on her by Dario Vitale at the helm of Atelier Versace, in blue-black crepe de chine, meticulously hand inlaid with a silk damier degrade. For the red carpet of Jay Kelly, Alba Rohrwacher wore a Dior Haute Couture in bright blue silk with long sleeves, draping on the bodice and panier on the back of the dress, according to JW Anderson's new geometries for the fashion house. To Jacob Elordi, Louise Trotter dedicated her menswear debut for Bottega Veneta, with a preview of a six-button double-breasted coat worn over over trousers, for the screening of Guillermo del Toro's Frankenstein.

For each red carpet, even the looks of Eleonora Fanelli, 'the godmother no longer a godmother', paid homage to the grand evening and the impeccable yet disenchanted Italian style. For the Giorgio Armani opening, the metallic silver bustier dress, with sequins and crystal micro-applications, draped waist. Worn with a necklace, drop earrings and white gold and diamond bracelet, Cartier Pluie collection. On the red carpert of In the Hand of Dante, directed and co-directed by Julian Schnabel, Fendi Archive dress: ton sur ton beaded embroidery and balloon sleeves. Long necklace and earrings in white gold, emeralds, rock crystal, onyx and diamonds and rings with the same stones, Cartier High Jewelry, Sixieme Sense collection. For the screening of Father Mother Sister Brother, a double-breasted jacket-dress down to the feet, worn bare, by Kiton. For Luca Guadagnino's After the Hunt, she choseMax Mara Resort, a dress with a strapless straight neckline and wide, micro-sequined skirt. For the dinner at Palazzo dei Dogi, a black column dress with horizontal overlays and micro beaded fringes by Armani Privé. By Armani Beauty the luminous make-up with eyes defined by neutral tones and intense lashes, rosy nude lips. For the final evening a silk obi-effect bandeau top over a crystal fringed skirt supported by a macro stone belt, Armani Privé. By Cartier High Jewelry the two-strand necklace with Panthère clasp in white gold, diamonds, emeralds and onyx; pendant earrings in platinum and diamonds.