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Hunt for stolen art, artificial intelligence allied to the Carabinieri

Race against time to recover stolen assets. A prize for the use of advanced tools

by Nicola Barone

3' min read

3' min read

It is 24 September 1993. An altarpiece disappears from the church dedicated to St. Thomas Aquinas in Piedimonte Matese. The Adoration of the Shepherds, well over two metres high, is the work of a valuable late Baroque painter, Nicola Maria Rossi. On 21 November 2023, a Florentine auction house put up for auction a small painting, framed in black and gold, depicting a red-cheeked child. It will be the Carabinieri of the Cultural Heritage Protection Command who discover that this canvas is actually a fragment of the work stolen in Caserta thirty years earlier, thanks to an advanced computer system that identifies the derivation from the original without any possibility of error.

This is one of dozens of successful cases. Although it is certainly no substitute for sophisticated investigations conducted at several levels, the 'bionic' eye implemented by the Carabinieri Tutela Patrimonio, the Carabinieri's specialised unit with early forms of artificial intelligence, promises a leap forward in the countering of illegal trafficking of works of art.

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I RISULTATI DELL’ATTIVITÀ DI MONITORAGGIO SUL WEB

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Given the increasing use of telematic channels, the fraudulent trade or export of suspect cultural goods has forced the creation of constantly evolving and improved technologies to speed up the number of checks as much as possible, through automatic search procedures and 'smart' search algorithms.

Speed of intervention crucial factor

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"It is often difficult not only to trace the works, but above all to trace the whole chain, from the perpetrators of the thefts and clandestine excavations to the receivers and launderers," says General Francesco Gargaro, who has led the TPC Carabinieri since the end of last year. Speed is a crucial factor. Because the spectre of the statute of limitations always hangs over investigations. In Italy, 'we have quite stringent regulations and unfortunately this is not the case everywhere. Other countries have different regulations, not all crimes we prosecute are prosecuted outside our borders,' Gargaro points out. Similarly, the reconstructed routes of the works are made usable through cultural diplomacy: the Carabinieri also play a primary role in extrajudicial procedures, which are often decisive.

The numbers indicate a remarkable yield from operational activity, with more than 100,000 art objects recovered in 2023 alone for a total estimated value of just under EUR 265 million. The reflection of an excellence established in 1969 even in advance of Unesco's recommendations to all member states, capable of returning more than three million cultural assets to their rightful owners (public and private). Thus contributing to "healing many wounds that have opened over the years in the territories" of origin, "depriving communities of important pieces of their identity", as Culture Minister Gennaro Sangiuliano recalls.

Artificial Intelligence applied to web scaping

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Recently, at the world's leading security congress in Dubai, the Carabinieri were awarded the Innovative police force award for their merits in the development of the Stolen works of art detection system (Swoads) project. It starts with the collection of potentially interesting elements from the web, social media, the dark web or receiving the transmission of images collected by operators. At this stage, artificial intelligence is applied during 'web scraping', to simulate human behaviour when browsing web pages or monitoring posts on social networks. The information is then screened with tools based on the use of Ai, for the automatic comparison of images and the advanced search of textual and descriptive content, looking for correspondences with the content of the reference data assets. Third step, the system proposes a list of positive matches to be validated or rejected at the end of the process. And an upgrade is already underway that will ensure, for example, the analysis and recognition of three-dimensional objects, through pseudo-scanning processes, or the 'reading' of videos to identify cultural assets within frames.

1.3 million works circulating illegally

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The work is endless. In the light of a rough estimate, made by detectives, of 1.3 million works of art not legally in circulation. But the results are obvious. The formula for the success of the TPC carabinieri lies in a mixture of innovation (unavoidable) and sectorial expertise, summarises Commander Gargaro. "We are the only police force that has competence over cultural heritage, constituting a pole of information and analysis gravitation for the benefit of all the others. We are also distributed in a capillary manner throughout the territory, with regional nuclei, like the Arma complex'. A model that will be replicated as widely as possible with the training of new officers and agents from foreign countries under the aegis of the MiC.

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