Interventions

In America, Gen Z rediscovers the 'great beauty' of physical media

Rediscovering DVD, Blu-ray, 4K Ultra HD

by Luciana Migliavacca

 (Imagoeconomica)

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

In recent years we have observed Gen Z as the most technological generation ever: digital natives, grown up among streaming platforms, algorithms and immediate access to any content. I allow myself a provocation: what if the real innovation, today, was to rediscover the value of disconnection and the enjoyment of an emotion originating from a physical medium, without expiry date, capable of preserving and handing down stories and memories over time?

A certainly provocative question, but not out of time, considering that - news of these weeks - in the US many young people are approaching the physical audiovisual medium (DVD, Blu-ray, 4K) with interest. According to a recent analysis by the Digital Entertainment Group, in fact, a growing part of Gen Z has started to show signs of dissatisfaction with the need to manage a 'portfolio' of streaming subscriptions, all different from each other, where it happens to be impossible to find the film one wants to watch at a specific time. In this sense, the idea of unlimited access increasingly clashes with a fragmented and temporally circumscribed content reality.

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Here, then, the physical medium re-enters the field in a renewed guise, in step with the technological times, but with an opportunity as simple as it is powerful: the freedom to choose and to own. Film is culture, it is sharing, it is historical memory: it must be readily available and, above all, it must always be possible to choose it, because each viewing is different from the previous one.

This dimension I like to call the 'luxury of disconnection': taking the time to choose your favourite film, building a personal collection that tells of tastes, passions and memories.

A rediscovery that not only has an emotional character, but also meets the technological needs of home viewing, which streaming is often unable to satisfy due to connections that are not always stable. The new generation physical medium, on the other hand, is now very high-performance in terms of both sound and vision. And, for those who really love cinema, this is not a detail.

In the US, between 2023 and 2024, the home video market had shown signs of distress, with a decline of close to 20%. In 2025, something seemed to change: the decline in the US market was more contained and hope is pinned on the younger generation.

In Italia, audiovisuals remain an important asset for the cultural development of the country and, for this reason, as Univideo we are working to enhance the virtues of the physical product, involving young people in all our projects. They are consumers, but at the same time also custodians of the film heritage, i.e. of the cultural memory of the works.

Perhaps Gen Z, precisely because they have grown up in the world of total streaming, is beginning to perceive its limits. And perhaps the real innovation is not having everything available all the time, but consciously choosing what to keep. After all, between an endless catalogue and a shelf full of beloved films, the difference is simple: in the former case you browse, in the latter you build a personal history. Films are forever... as are the physical media, which preserve their cultural value.

Luciana Migliavacca, President Univideo

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