Fashion

Met Gala 2026, here's what happened between Bad Bunny, Katy Perry and Lady Bezos

At the Metropolitan in New York the most exclusive event of the year: VIPs interpreted the theme of 'Costume Art'. Mayor Mamdani defected

Il rappert Bad Bunny artificialmente invecchiato sulla passerella del Met Gala REUTERS

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

The Met Gala, the fashion world's most anticipated and spectacular event, set New York ablaze with a parade of stars who boldly and creatively interpreted this year's theme: "Costume Art". On the celebrated red carpet of the Metropolitan Museum of Art, guests sported ambitious looks to celebrate the opening of the Costume Institute's eponymous exhibition, which explores the relationship between dress and body through the ages.

Among the most extreme and controversial interpretations is that of Puerto Rican rapper Bad Bunny. The Grammy winner, already the star of this year's Half Time Show by Nfl with an unpublished performance, surprised everyone by appearing in an artificially aged version of himself, thanks to a complex prosthetic work on his face and hands. A conceptual choice to dialogue directly with one of the sections of the exhibition, the 'ageing body'.

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Equally striking was the arrival of Katy Perry, who paraded incognito. The pop star covered her face with an iron and metal mask, described as a "literal and symbolic reflection that invites us to consider how the perception of others can mirror our own inner world". Completing the look was a six-fingered glove, an ironic reference to the increasingly common errors in artificial intelligence-generated images.

Met Gala 2026, le immagini dei look più improbabili

Photogallery68 foto

She chose to transform herself into a living picture, instead, Lauren Sánchez Bezos, honorary president of the evening together with her husband Jeff Bezos. The former journalist wore a mermaid gown by Schiaparelli, designed by Daniel Roseberry, whose inspiration came from one of the most controversial works of art in history: Madame X by John Singer Sargent. The dress, with a plunging neckline and a corset back, evoked the 1883 portrait through a jewelled strap intentionally dropped over the shoulder. A detail that cost the painter such a scandal at the time that he was forced to repaint the strap in its place.

Another star who literally embodied the 'Fashion is Art' theme was Sabrina Carpenter. The pop star paid homage to cinema by wearing a custom Dior gown, created by Jonathan Anderson, made entirely out of strips of vintage film stock from the 1954 film Sabrina, starring the iconic Audrey Hepburn. The look featured an American-style neckline, a shimmering tulle train and a deep slit. Embellishing the ensemble was a jewel-studded 1920s-style headdress that bore the title Sabrina in diamonds. For Carpenter, this Met Gala was particularly significant as she was part of the event's organising committee for the first time.

However, the evening was also marked by some excellent absences. Prominent among them was that of Meryl Streep, the film and fashion icon, who appears on the cover of the May issue of Vogue America for her unforgettable role as Miranda Priestly in The Devil Wears Prada, whose sequel is in cinemas these days. Other big names who missed out include actors Zendaya and Timothée Chalamet. The latter skipped the Met Gala 2026 to go see the Knicks at Madison Square Garden. Also absent was the First Citizen of the Big Apple Zohran Mamdani, who broke the tradition of New York mayors attending the gala.

The event, held annually on the first Monday in May, featured an incredible line-up of celebrities, including Rihanna (who came last), Madonna, Blake Lively, Cher, Margot Robbie and Anne Hathaway. The evening was chaired by an exceptional quartet: Beyoncé co-chairs, making her grand return to the Met Gala after a ten-year absence, Nicole Kidman and tennis champion Venus Williams, along with the ever-present former Vogue editor-in-chief, Anna Wintour who, true to herself, circumvented the dress code imposed on everyone else, wearing a Chanel dress very similar to the pink one she had already sported at the same event in 2019. The 'Costume Art' exhibition, which will open to the public on 10 May, aims to create a dialogue between dresses from the Costume Institute's collection and works of art ranging from prehistory to the present day.

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