Venice

“My Notes on Mars”, an intriguing melodrama opening the Giornate degli Autori

Among the first films to be screened at the Venice Film Festival is the new feature film by Hungarian director Lili Horvát

My Notes on Mars

2' min read

Translated by AI
Versione italiana

2' min read

Translated by AI
Versione italiana

 

The “Giornate degli Autori” section – an independent programme within the Venice Film Festival – opened with an intriguing melodrama: “My Notes on Mars”, the new film by Hungarian director Lili Horvát, kicked off a section that this year appears to be particularly rich in significant titles.

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Horvát was already on the programme at the Giornate degli Autori in 2020 with “Preparations to Be Together for an Unknown Period of Time”, a film that represented Hungary at the 2021 Oscars and won several international awards, whilst in 2024 he produced Zsófia Szilágyi’s “Január 2” as part of the Biennale College programme at the Venice Film Festival.

“My Notes on Mars” centres on Margot, a brilliant young scientist who is going through a marital crisis. During an outing with her husband Sam, Margot suddenly disappears; some time passes, and on the day of the memorial service, she miraculously reappears. She remembers nothing of her life, except for her research on Mars, which she is determined to find and destroy. She is clearly not the same person she was before. Yet Sam welcomes Margot’s return as a second chance for their love.

Blending fantasy elements with romantic themes, “My Notes on Mars” is a work that skilfully alternates between styles and tones, confirming the author’s more than respectable talent, which she had already demonstrated previously.

 

A fascinating metaphor in a film that’s far too cryptic

 

‘Our story champions great love, whilst acknowledging just how limited our understanding of the person beside us really is. It’s a bit like looking at Mars from Earth. From our vantage point, that planet was once fascinating and always distant – the red planet of desire. Now, however, our perspective has changed. It is a place where we could live, a territory to be conquered. And, consequently, it is an environment to be respected and protected. The same applies to love: the way we love another person says as much about us as it does about them’: director Lili Horvát used these words to introduce her film, highlighting a metaphor that, whilst undoubtedly fascinating within the film, is not entirely successful.”

Although the film’s foundations are rich in evocative elements, there is an overall sense of indecisiveness due to the excessive number of overly cryptic sequences, and the many themes explored are not always treated with the necessary depth.

Despite these limitations, however, it remains an undeniably unconventional and intriguing vision, in which one can easily discern various echoes of Michelangelo Antonioni’s films, from *L’avventura* to *L’eclisse*.

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It is worth noting that the programme for the Giornate degli Autori will also feature other highly anticipated films, such as Robert Guédiguian’s “Une femme aujourd’hui” and Nicola Sorcinelli’s “Balcanica”.

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