Letter to savers

Netflix’s performance: margins and cash flows under the market’s scrutiny

Profit margins and free cash flow have risen, driving the share price up over the past year. Analysts highlight the impact of investment and competition

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6' min read

Translated by AI
Versione italiana

6' min read

Translated by AI
Versione italiana

On the one hand, profit margins. On the other, cash flow. All this whilst new subscriptions take a back seat. This is the approach that Netflix has adopted to communicate the dynamics of its financial results to the market.

Marginality

In light of this, it is worth analysing the trends in these variables over time. Let us begin, first and foremost, with profit margins. That is to say: the ratio – for example – between adjusted EBITDA and revenue. Well, generally speaking – albeit with dips and rebounds – the historical trend has been one of growth. According to the Bloomberg terminal – which allows for long-term comparisons – the indicator stood at 2.6 per cent in 2012. Subsequently, the ratio – again on an adjusted basis – gradually increased: it stood at 5.4 per cent and 7.8 per cent in 2015 and 2017 respectively. Then – thanks to the streaming boom in the wake of the Covid-19 pandemic – it reached 23.3 per cent in 2020. From there, the adjusted EBITDA margin began – evidently also due to major investments in in-house productions – a period of slowdown which lasted until 2023. In that financial year, the figure stood at 23 per cent. Last year, however, the margin began to rise again, reaching 28.8 per cent. Currently, according to the Bloomberg terminal, the ratio of adjusted EBITDA to rolling turnover over the last 12 months stands at 48.5 per cent, whilst the estimate for the full year is 49.1 per cent. In short: despite various ups and downs, the indicator has shown an upward trajectory. On closer inspection, and looking at the most recent period, this trend is confirmed by the company itself. The operating margin – the percentage figures for which should not be compared with those from Bloomberg as they are calculated differently – stood at 27.2 per cent in the second quarter of 2024. In the final quarter of the same financial year, however, the figure had fallen to 22.2 per cent. Finally, in the period between early April and 30 June, it rebounded to 34.1 per cent, and the group estimates that the figure should reach 31.5 per cent by the end of the current quarter.

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LA STORIA DELLA MARGINALITÀ

Dati in % del rapporto tra Ebit e ricavi

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Cash flows

From margins to cash flows. In particular, what is known as ‘free cash flow’. That is to say – in very simple terms – the ‘free’ cash generated by the company’s operations, after paying all operating expenses and necessary investments (from machinery to software and content). Well, the issue of free cash flow has, for some time, been one of the areas on which analysts have focused their attention – and, indeed, much of their criticism. As the Bloomberg terminal points out, Netflix has been burning through cash for several financial years. Up until 2019 (a deficit of $3.14 billion), the group reported negative free cash flow in its financial statements. In 2020, however, there was the first positive sign: $1.9 billion in positive free cash flow. From then on, following another negative figure – albeit limited to $132 million in 2021 – the historical trend has consistently been in the black. From 1.6 billion (2022) up to 6.9 billion, a figure repeated in both 2023 and 2024. This upward trend is confirmed – once again – by the group itself, which, following free cash flow (FCF) of 2.267 billion in the last quarter, has raised its forecast for the full financial year. Netflix forecasts free cash flow of between 8 and 8.5 billion by the end of 2025, compared with the approximately 8 billion previously indicated. Once again, therefore, the trend in this metric appears to be on the right track.

FLUSSI DI CASSA

In miliardi di dollari flussi di cassa operativi netti

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Experts’ doubts

That’s right! Some analysts have pointed out that the FCF for the second quarter of 2025 – despite rising year-on-year – fell quarter-on-quarter compared with the first quarter of the current financial year. That said, however, it is important to bear in mind that – for example, in terms of payments for content – the business is subject to seasonal fluctuations. In other words: the first few months of the year are – normally – characterised by lower outgoings and, consequently, the generation of higher cash flows is facilitated. In general, therefore, experts have welcomed the trend in this indicator.

So, is it all as easy as drinking a glass of water? The reality is more complicated. To understand this, it may be useful to analyse some of the analysts’ comments following the publication of the second-quarter 2025 results (in the wake of which the company’s share price fell by 5.1 per cent on the stock market during the trading session on 18 July).

TRIMESTRI A CONFRONTO

Dati in miliardi di dollari al 30/6/2025 e 2024

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It should be noted that the group recorded revenue (11.079 billion) up by 15.9 per cent compared with the same period in 2024. Furthermore, net profit rose to 3.125 billion (compared with 2.147 billion a year earlier). In short: the figures are on the rise. Whilst acknowledging the positive figures, however, experts have, first and foremost, focused their attention on turnover. In particular, it was noted that the top line of the balance sheet rests on three main drivers: price increases, the introduction of advertising and the stabilisation of the subscriber base (following the increase in the wake of the crackdown on password sharing). These are all solid drivers but – so the argument goes – they are not infinite: prices, for example, cannot be raised continuously without creating risks regarding user churn rates.

RICAVI E AREE GEOGRAFICHE

Dati in miliardi di dollari al 30/6/2025 e 2024

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The company’s views

Netflix dismisses these concerns. The management explained that revenue is benefiting from a balanced mix: on the one hand, the increase in subscriptions is continuing alongside the growth in advertising; on the other, the pricing strategy has not – so far – led to any unusual rise in the ‘churn rate’. In particular, the company emphasised the contribution of advertising: the Netflix Ads Suite is now up and running, and advertising revenue is doubling year on year, exceeding the forecasts made at the start of 2025. In short: this is a long-term, rather than a short-term, factor.

That said, however, it has been further argued that the high level of spending on original content (which is set to remain at around 18 billion in 2025) poses a risk. Some experts have expressed concern that such a level of investment could squeeze margins if the new titles fail to generate sufficient ‘engagement’. Once again, Netflix has stated that it does not share these concerns. Firstly, it is pointed out, the company emphasises portfolio diversification: the group produces and distributes numerous titles every year, across different genres and languages, with a significant proportion of local productions (so-called ‘local for local’). This approach, the company explains, reduces dependence on individual hits (whether global or not). Indeed, even the most-watched productions account for less than 1 per cent of the total hours watched during the period under consideration. But that is not all. The multinational streaming company states that investments – albeit substantial – should not be regarded as a sunk cost. Rather, they should be seen as building an increasingly rich, proprietary catalogue that generates returns over time. Netflix, in fact, points out that original productions have a long lifespan on the platform, fuel recommendations and can also be utilised for other formats, such as games or spin-off products.

Competition

Finally: competition. Industry analysts have reiterated the issue of ever-increasing competition. This challenge comes not only from traditional rivals such as Disney+, Prime Video and Apple TV+, but also from platforms such as YouTube and TikTok, or free, ad-supported services that divert users’ attention. Whilst acknowledging the dangers posed by such fierce competition, the company indicates that it is capable of managing the situation. Not only because, on the one hand, its growth is driven – precisely – by new users, advertising, product quality and the global scale of its offering; but also because – alongside its ability to manage big data relating to its customer base – there is still ‘around 80 per cent of the TV market share that neither Netflix nor YouTube possesses’. To put it another way: there is a significant space – currently occupied, for example, by linear TV – that can be captured.

Market multiples

Yes, it’s been taken. But, in light of such considerations, what are the trends in the share’s market multiples? According to Seeking Alpha, on the one hand, the forward non-GAAP P/E is 44.1 (compared with an average of 14.3 for the relevant sector); on the other hand, the forward non-GAAP PEG ratio stands at 1.85 times (compared to 1.49 for the sector average). The forward price-to-cash-flow ratio, for its part, is 52.3 compared to a benchmark figure of 8.23. In this context, Seeking Alpha first notes that the valuation ‘is particularly high’ and then highlights that ‘the momentum is remarkable: the one-year performance has risen by around 68 per cent, far outpacing the sector’. In short, the DIY investor, as usual, must proceed with great caution, always taking their own risk appetite into account.

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