This weekend’s films

“Deep Water”, a summer horror film that’s a bit past its sell-by date

Renny Harlin’s new feature film is coming to cinemas – a nostalgic effort that’s hardly engaging

Deep water

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

Sharks, as we know, are often associated with horror films released during the hottest months of the year, and this summer is no exception: ‘Deep Water – Nightmare from the Depths”, by Renny Harlin, a Finnish director who has specialised in action films for several decades now.

During the 1990s, Harlin had directed films that were hugely popular with fans of the genre, such as “58 Minutes to Die – Die Harder’ and ‘Cliffhanger’, and it is precisely to the cinema of that decade that he seems to be returning with this latest film, which, incidentally, bears a strong resemblance to his 1999 film, ‘Deep Blue Sea’.

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At the heart of the plot of *Deep Water* lies the dramatic ordeal of a group of passengers on board an intercontinental flight: during the journey, a serious malfunction forces the plane to make an emergency landing in the middle of the ocean, turning the flight into a terrifying nightmare with no way out. The crash occurs in waters infested with terrifying, hungry sharks, and the survivors – of different nationalities and ages – find themselves trapped amongst the wreckage of the slowly sinking aircraft, isolated and far from any chance of rescue. Panic spreads rapidly, tension mounts, and survival becomes a battle against time and fear.

To save themselves, the group will have to overcome personal conflicts and cultural barriers, learning to work together under extreme conditions: this is perhaps the main sociological insight offered by a film that explores the importance of teamwork – albeit in an undeniably superficial manner – and how solidarity is the only possible course of action for survival.

“Deep Water” e gli altri film della settimana

Photogallery4 foto

Black humour and too much rhetoric

For fans of shark films, there’s certainly no shortage of tension and it’s reasonably entertaining overall, but the script is far too predictable and the nostalgia factor only works to a limited extent.

Harlin blends tones and styles, focusing on suspense combined with a strong sense of black humour, but the whole thing remains too watered down (if you’ll pardon the pun…) due to an irritating and pointless rhetoric that constantly rears its head throughout the narrative.

Another major shortcoming is the special effects, which leave a great deal to be desired, despite the B-movie tone, as do the characters’ dialogues, which are written in a thoroughly slapdash and haphazard manner.

Of course, no one was expecting one of the most sophisticated films of the season, but a little more care taken with the overall structure of the film would at least have improved the end result.

Family therapy

Speaking of run-of-the-mill films that feel all too familiar, another of the new releases in this rather lacklustre week at the cinema joins this rather large club: *Family Therapy*.

Directed by Arnaud Lemort, this French comedy centres on Damien, a patient who is as fragile as he is intrusive, and who has now become unbearable even for his therapist, the renowned psychoanalyst Olivier Béranger. To get rid of him once and for all, the doctor kicks him out by setting him an extreme therapeutic challenge: he must finally find the woman of his life, but, against all expectations, Damien succeeds.

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This film doesn’t elicit many smiles; whilst it starts off with an interesting premise, it soon gets bogged down in a script riddled with stereotypes, clichés and jokes we’ve heard dozens of times before.

The director tries to capitalise on Christian Clavier’s comic talent (best known for the “Don’t Marry My Daughters” film series), but even he fails to salvage a feature film that is truly best forgotten. From a French comedy of misunderstandings, we could only have expected something more brilliant and intelligent.

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