Film Festival

"One to One', a documentary on John and Yoko in Venice, full of previously unseen material

Out of competition on the Lido, the new feature film by Kevin Macdonald, a director who is an expert in storytelling using archive footage

by Andrea Chimento

3' min read

3' min read

After Bob Marley and Whitney Houston, it was the turn of John Lennon and Yoko Ono: out of competition at the Venice Film Festival was 'One to One: John & Yoko', a documentary by Kevin Macdonald, an experienced filmmaker in the genre who had previously made products about 20th century musical icons.

If in 'Marley' (2012) and 'Whitney Houston - Star Without Sky' (2018), Macdonald had focused on a single figure, in this case he opts to narrate a couple at a very specific time in their lives and careers.

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Co-directed with editor Sam Rice-Edwards, 'One to One: John & Yoko' is set in New York in 1972 and explores the musical, personal, artistic, social and political worlds of John and Yoko against the backdrop of a turbulent era in American history.

At the heart of the film is the 'One to One' charity event for children with special needs, a big John Lennon concert.

As the director points out, this is 'the only complete concert John gave after leaving the Beatles (digitised and remastered to a quality that makes it unrecognisable to those who remember the VHS version released in the 1980s)'. Starting with a 16mm film of the performance, Macdonald and Rice-Edwards have created a product that focuses on a wide range of previously unseen material from the Lennon archive, including personal phone calls and home movies shot directly by John and Yoko.

The audio of the concert was remixed under the supervision of Sean Ono Lennon and many details show the attention the two directors gave to the project.

A surprising film even for die-hard fans

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Although several films have been made about John Lennon in the past - from other documentaries such as David Leaf's 'U.S.A. vs. John Lennon' in 2006 to fictional films such as Sam Taylor-Wood's (now known as Taylor-Johnson) 'Nowhere Boy' in 2009 - this new work nevertheless offers an interesting perspective even for the most ardent fans of the immortal British singer-songwriter.

Although the general structure is not too original, the work on the materials is effective and the aim is to try to surprise the audience by recounting the period of transformation in the lives of the two figures, through an intimate portrait that does not skimp on the more radical choices they made.

Images and music communicate more than words, but conversations have their importance in this delicate project with a nostalgic flavour.

Yet another confirmation that Macdonald is at his best with the language of the documentary, even though he has signed some successful titles in fiction cinema: think of 'The Suspended Death' in 2003 or 'The Last King of Scotland' in 2006.

Separated

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Another eagerly awaited documentary in this first week of the Venice Film Festival is 'Separated' by Errol Morris, one of the masters of the genre, author in the past of such major works as 'The Fog of War' or 'The Unknown Known'.

Morris again points the finger at the US administration and addresses one of the darkest chapters in his country's recent history: the separations of migrant families.

Based on the book by NBC political and national correspondent Jacob Soboroff, Morris combines interviews with officials and reconstructions of the difficult situation experienced by migrants.

While the first aspect works very well, through powerful statements that demonstrate the cruelty of certain political choices, the reconstructed part leaves something to be desired and ends up limiting the overall involvement.

The basis of the operation is strong and capable of providing much food for thought but, cinematically speaking, the film lacks the dramaturgical power of Morris's other works and ends up being a somewhat wasted opportunity.

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