Lower Salento

Parabita and contemporary art: when the past reinvents the future

The town’s urban regeneration programme with Ipogea and Rossella Biscotti’s work

Da sin: Liliana Moro, «Polaris», 2024; centro: Mimmo Paladino, «Senza titolo», 2024; destra: Giovanni Lamorgese, «L’Addolorata», 2015 Foto Ilenia Tesoro

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

Off the beaten track in Lower Salento, the town of Parabita (with a population of almost 8,000) is writing a new chapter in its history. Charting the course is the urban regeneration programme, ‘Parabita per il Contemporaneo’, which blends contemporary art with the genius loci. The past is no longer a time for nostalgia, but for remembrance. It serves as a compass to chart new courses towards the future, aimed at redefining the community’s identity and strengthening its sense of belonging and social cohesion. All this under the banner of contemporary art, as a “driving force for growth and change”.

Open-air contemporary museum

Strongly championed by the mayor Stefano Prete, under the artistic direction of Giovanni Lamorgese, the plan transforms this small town in the Salento region — situated inland, just 14 km from Gallipoli — into an open-air museum. The aim is not to attract hit-and-run tourism, but to build a permanent collection of contemporary art that becomes an integral part of the town’s fabric.

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“Parabita per il contemporaneo” encompasses a range of initiatives, some of which have already been completed, others currently underway, and still others planned for the future.
On 23 July, the work by Rossella Biscotti, “L’uomo che cammina all’indietro”, curated by Carmelo Cipriani, as part of “Ipogea”, a project aimed at the restoration and promotion of the local underground cultural heritage.

Parabita, like the whole of Salento, is rich in underground oil mills – cavities hewn out of the rock as far back as the Middle Ages – where oil, the ‘green gold’ of the rural economy, was produced and stored. The artist uses an ancient millstone, which becomes a device for reflecting on time and history. Biscotti’s project follows that of Francesco Arena , dating from 2025, who, with ‘La Grotta’, launched the ‘Ipogea’ initiative. Among the upcoming participants is the artist Rä di Martino, who will unveil his work in the autumn.

Francesco Arena, «La Grotta», 2025

Votiva

However, the launch of “Parabita per il Contemporaneo” dates back to 2024 with “Votiva”, curated by Laura Perrone together with Flaminia Bonino, an initiative focused on showcasing votive shrines. Rooted in folk tradition, these architectural elements also served to bring people together and foster the common good. Sixteen artists have engaged with these minimalist forms. Among the leading figures were internationally renowned names such as Arena, Chiara Camoni, Ludovica Carbotta, Claire Fontaine, Gianni Dessì, ektor garcia, Helena Hladilová, Felice Levini, Claudia Losi, K.R.M. Mooney, Liliana, Adrian Paci, Mimmo Paladino, Luigi Presicce, Michelangelo Pistoletto and Namsal Siedlecki. Last but not least, Giovanni Lamorgese, creator of the first secular newsstand, from which Stefano Prete drew his initial inspiration. To help visitors discover the works, the council has also made a dedicated app available, featuring audio guides and descriptive texts.

Chiara Camoni, «Annunciazione», 2024

Gianni Dessì, «Dell’arte...l’oro», 2024

The economic effort

The financial commitment required for “Votiva” amounts to 90,000 euros, to which must be added 60,000 euros for the first two stages of “Ipogea”, bringing the total investment to 150,000 euros, funded entirely from the municipal budget. This is a bold decision, motivated by the sense of responsibility and care expected of the entire Parabita community, for whom the project is intended. “With this decision, we wanted to emphasise that even small towns in the South can aspire to become art collectors by investing their own funds,” explains Mayor Prete. For the subsequent phases, investments of around 300,000 euros are planned, to be funded by external resources from cultural foundations, local businesses and public bodies.

Claudia Losi, «Amuleti Animalia», 2024

Development

The future of “Parabita per il Contemporaneo” is already focused on three new projects: “Urbana”, which will reinterpret the peri-urban area of Parabita; “Piccola Contemporanea”, an exhibition space within the railway station area; and “Nydia”, which will bring contemporary art to the new municipal nursery.

Meanwhile, among the positive effects is an upturn in the property market, as the mayor reports. It seems that the decision to live in Parabita – even if only for part of the year – is becoming less and less unusual. On the one hand, there is a vibrant cultural scene; on the other, the chance to enjoy Salento’s artistic and natural heritage without being swallowed up by the whirlwind of mass tourism. And to ensure a warmer welcome for new residents, a department has been set up dedicated to the ‘New Parabitans’.

Luigi Presicce, «Miracolo senza titolo», 2024

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