Paralympics, Verona starts with the right feet, prostheses and wheels
The opening ceremony of the XIV Winter Games brings sport back to centre stage, where disability is only one of the rules of the game
by Giulia Riva
It was a gentle Arena di Verona that welcomed and accompanied the Opening Ceremony of the fourteenth Winter Paralympics on Friday 6 March. It does not boo when, after weeks of controversy surrounding the International Paralympic Committee's decision to re-admit Russia and Belarus with national anthems and flags, the respective delegations make their entrance on stage. Perhaps because many athletes were missing: between those who were absent in protest against what the Ipc had decided and those who preferred to rest before morning competitions far away from Verona, only half of the participating national committees paraded. Perhaps because the crisp air of a not-yet-spring evening invites one to stay wrapped up in the Roman amphitheatre and enjoy the spectacle. But certainly because the Paralympic spirit managed to make room for itself in a kick-off ritual that focuses attention on sport and the concreteness of bodies and people capable of doing - and doing well - both when it comes to competitive competitions and artistic performances.
They danced to the notes of Dardust, Miky Bionic - a DJ and producer, the only artist in Italia to perform with a bionic myoelectric hand after losing his left arm in an accident - and Meduza, an electronic/house music group accompanying the entrance of athletes and flags.
The applause of the audience is thunderous when the Ukrainian flag enters the stage, even without athletes in tow. The same warmth is reserved only for the Azzurri - playing at home and livening up the party - and the President of the Republic Sergio Mattarella, who rises as they pass by to applaud them and then officially declares the Paralympics open.
"Life in motion", the show by Marco Boarino, plays on the role of Verona as the city of love and loves to experience the vibes, the sensations that allow us to create new spaces together: not 'accessible to', but accessible, period.
The Mameli anthem sung by Mimì Caruso, an award-winning voice from the talent show X Factor, of Malian origin, was approved. Also thrilling was "NoGravity", the choreography by director Emiliano Pellisari that saw standing and wheelchair-bound performers suspended in mid-air.







