Culture

Teatro Regio di Parma, the Sustainability Report arrives at MiC. 'Methodological rigour and responsibility towards the community combined'

Undersecretary Mazzi: the Verdi Festival a very important vehicle for the promotion of opera in Italy

by Nicola Barone

5' min read

Translated by AI
Versione italiana

5' min read

Translated by AI
Versione italiana

The outcome of a multi-year journey 'that combines methodological rigour and responsibility towards the community'. Alongside the 26th Verdi Festival, the Sustainability Report of the Teatro Regio di Parma was presented at the Ministry of Culture. The start was made in 2017, when, thanks to the partnership with the University of Parma, the permanent Observatory of the Verdi Festival and the drafting of the related impact report were launched. To all intents and purposes a pioneering work, based on indicators, listening to stakeholders and calculating the Social Return on Investment, which introduced a solid data culture within the Foundation.

The Three Pillars

From this practice came the need to extend the quantitative and qualitative monitoring of activities to the entire organisation. Thus, between 2020 and 2022, this need resulted in the drafting of the Annual Report accompanied by an integrated management report, i.e. enriched by structured non-financial reporting. As of 2023, the Foundation, with the support of the city's University, has moved to a stand-alone Sustainability Report capable of clearly and comparably reporting on the theatre's ESG performance and cultural and social impact, overcoming the communication limitations associated with the annual report. The methodology adopted in the construction of the document is based on three pillars. First, the involvement of stakeholders (staff, governance, partners, institutions, public) through surveys, interviews and workshops. Second, materiality analysis, which sorts issues according to their relevance to stakeholders and impact on the organisation, turning them into operational priorities. Third, alignment with international standards and frameworks (GRI/ESG and UNESCO Culture|2030 Indicators), with indicators on activities, outputs, outcomes and impacts, periodic review and continuous improvement. This has made it possible to make the sustainability report a tool with which to make informed and shared decisions, strengthening stakeholder trust and making the cultural value generated measurable.

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The future direction

Highlights of the work carried out include greater transparency, a solid information base for strategic and operational planning, stronger relations with members, sponsors and the territory, and a more complete impact narrative on inclusion, education, heritage and participation. "The Theatre will continue to broaden the scope of engagement and the set of indicators, in order to make the Foundation's contribution to the sustainable development of the city and the country increasingly legible. There are numerous stakeholders in the activity of the Teatro Regio di Parma (local, national and international audiences, sensitive spectators, international friends of Festival Verdi, social communities, suppliers, media and press, sponsors and partners, associations, institutional supporters) that make up an ideal network of relations, giving added value and drawing benefits". Among the human resources employed at the Regio Theatre, 62% of the administrative and technical staff and 40% of the artists are women; young people (under 35) represent 55% of the staff and 41% of the artists respectively.

The Activities

The activity directly managed by the organisation of the Foundation counts 412 events for 79,407 admissions; in addition to this activity there are also those entrusted to third parties for a further 80 events. Opera audiences (traditional opera season and the Verdi Festival) expressed a satisfaction level of 4.5/5 and 94% of them felt that the experience was worth the cost of the ticket. The Regio is also accessed for guided tours, enjoyed by 18,957 visitors. Significant rentals (13), sales (5) and co-productions (2) of productions with national and international theatres generated revenue of 757,000 euro.

Economic well-being and prosperity

The economic dimension of €15.4 million is composed in a balanced manner of 55% public resources (including the Municipality of Parma 23%, Ministry of Culture 21%) and 45% private and own resources (including 12% donations, 11% ticket sales, 7% Foundations). With particular reference to the Verdi Festival, the SROI (Social Return On Investment) index is 3.2 (every €10 invested induced benefits for stakeholders estimated at least at €32).

Environment and resilience

The Theatre has moved significantly towards an integrated sustainability policy through the appointment of a Sustainability Manager, the definition of a green policy and the adoption of nationally and internationally recognised measurement criteria. Direct emissions from operational activities (material consumption, energy consumption, water consumption, waste production and internal transport) amounting to 350 tonnes of CO2 equivalent (70 per cent developed from electrical and thermal energy consumption) have been mapped so far. This analysis of the state of affairs has enabled the development of an impact mitigation strategy in line with the climate neutrality objectives by 2030 that the city of Parma has signed with the European Union along with 9 other Italian cities.

Knowledge and Expertise

Training is a pillar of development for the Foundation through both the Verdiana Academy of Opera Singing and the Academy of Tailoring, which respectively provide 1,000 and 1,200 hours of training per year with a placement of 47% and 50% respectively. The training offer was enriched with the Choral Singing School and Children's Choir. With regard to internal training, 1,000 hours were provided, with particular reference to safety in the workplace and the adoption of the OMC 231.

Inclusion and Participation

Following the elaboration (in 2023) of the Ethical Manifesto of the Regio Theatre in Parma, activities aimed at fostering inclusion and participation received further impetus. Verdi Off, with more than 324 free performances, recorded 19,000 admissions; the programme of events dedicated to children, young people and families Regio Young saw 12,935 spectators, involving 105 schools; Regio Insieme, dedicated to promoting people's wellbeing through music, involved 1,810 participants thanks to valuable co-project work with ENS, UICI, AUSL and Penitentiary Institutes; the 5 open rehearsals of operas dedicated to under-30s involved 3,872 young people. The new communication architecture and the rebranding of the Theatre developed in an integrated manner in 2024 generated an OTS (opportunity to see) of 571 MLN and an AVE (advertising value equivalency) of 7 million euro.

Mazzi: Festival Verdi one of the most prestigious cultural events

'Distant Worlds' is the theme of the Festival Verdi 2026, to reflect on cultural diversity in contemporary society and the importance of relations between peoples and individuals. Three operas are on the programme: Alzira and Nebuchadnezzar in two new stagings designed by Manuel Renga and Pier Luigi Pizzi and Aida in Franco Zeffirelli's historical staging. On the podium James Conlon, Francesco Lanzillotta, Giuseppe Mengoli. Also, as per tradition, the Messa da Requiem, conducted by Daniele Rustioni, the Verdi Gala, with the special support of the International Friends of Festival Verdi, the concert of the Accademia Verdiana. Completing the main programme are the Ramificazioni events, now in their third edition. As Undersecretary for Culture Gianmarco Mazzi emphasised during the press conference at MiC, it is 'Italy itself that was born together with the music of Giuseppe Verdi. Our civil identity, our sense of community still resides in the immortal force of his work'. But it is also the spirit of this festival that the Ministry of Culture would like to stimulate the country's cultural policy. Not only is the Verdi Festival 'one of the most prestigious cultural events in the country, but it is also a very important vehicle for the promotion of opera in Italy. And it is a different way compared to the opera-symphonic foundations, but one that gives great results'. So much so that he hypothesised shifting more public resources to this type of cultural event ('festivals might deserve more, so I am not saying that they should be taken away from the lyric-symphonic foundations, but I do believe that festivals deserve our attention').

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