Fiction

Pierantozzi wins the Strega Deutschland prize and celebrates his 80th birthday alongside the Italia Republic

The winner of the 80th award will be announced tomorrow in Piazza del Campidoglio. The shortlisted candidates are Teresa Ciabatti, Michele Mari, Matteo Nucci, Bianca Pitzorno and Elena Rui. Sales have soared following the shortlist announcement.

 (Musa)

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

Alcide Pierantozzi is the winner of the first Strega Deutschland Prize, a new initiative of the literary award ‘founded 80 years ago, alongside the Italia Republic’ (as highlighted by the president of the Bellonci Foundation, Giovanni Solimine). His raw autobiographical novel *i* *Lo sbilico* (Einaudi), which succeeds in conveying what it means to be neurodivergent, to suffer from mental health conditions, and to live a life dominated by medical treatment and in isolation because there is neither understanding nor solidarity towards those considered ‘different’, was selected by 70 lecturers and students of Italian studies from eight German universities.

The press conference to announce the event was held at the Campidoglio, in front of the square where a number of workers were busy setting up the stage for tomorrow evening’s event. It is here, in fact, that the winner of the most famous prize for Italian fiction will be announced. This venue differs from the traditional Nymphaeum at Villa Giulia and was chosen to symbolically emphasise the link with the city of Rome. “It is a responsibility,” said Mayor Roberto Gualtieri, “to host the 80th edition of a prize at the Campidoglio that has spanned the history of the Italian Republic, accompanying its birth, its growth and consolidation, becoming the country’s leading literary prize, fuelling an intellectual debate that has been intertwined with the events of our history and has enriched them.”

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To mark the occasion, an agreement was signed between Roma Capitale, the Bellonci Foundation, and Strega Alberti Benevento, which provides for support for the Prize amounting to 50,000 euros a year for three years, as well as various initiatives, for example at the Casa delle Letterature and in Rome’s libraries, where the public will be able to meet the authors and where reading groups will be able to vote to select the winners.

Libraries, which are “a widespread cultural institution”, are something that Mayor Gualtieri said he cares deeply about and for which he has launched numerous modernisation projects: “Our libraries will increasingly become a forum for debate, discussion and social interaction,” he said, emphasising how the city is discovering a love of literature that exceeds even their expectations, referring to the “La Tempesta Silenziosa” initiative which saw, on 17 June, thousands of people gathering at sunset in over 300 locations across the city to read in silence and simultaneously White Nights by Fyodor Dostoevsky, and to the success of the Letterature festival: ‘We need to engage with language,’ he said, ‘with literary form, and with the themes explored in novels. It is a sign of a reaction to the way we are being sucked into a digital language. It reflects a need for a relationship with reading, for more thoughtful reflection. The Strega Prize allows authors to engage with the public and creates a forum for literary discussion – something there is a great need for – which this year has been enriched by works of the very highest calibre.”

The shortlist includes Teresa Ciabatti, with Donnaregina (Mondadori); Michele Mari, with I convitati di pietra (Einaudi); and Matteo Nucci, with Platone. Una storia d’amore (Feltrinelli), Alcide Pierantozzi and Bianca Pitzorno, with La sonnambula (Bompiani), and Elena Rui, with Vedove di Camus (L’orma).

This year’s shortlist comprises as many women as men, young and old, including older women, able-bodied and disabled people, and non-binary individuals – a line-up that truly reflects the diversity of our country, without this detracting from the quality of the works in the running; quite the contrary. In the hope that next year we might finally see a racialised author – whether male or female – receive the most prestigious prize for Italian fiction, or at least make it into the shortlist of five, because amongst Italian-speaking authors with origins elsewhere, there is certainly no lack of quality in their writing – quite the contrary.

The director of the Bellonci Foundation, Stefano Petrocchi, provided some figures that appear to demonstrate the prize’s ability to ‘promote great works of contemporary literature’. ‘Of the six finalists,’ he explained, ‘three are books published more than a year ago. The increase in sales following selection for the shortlist of twelve was 103 per cent. From the shortlist of twelve to the shortlist of six, the increase varied between 14 and 123 per cent. After reaching the shortlist of six, the increase ranged from 30 to 309 per cent. These figures illustrate how the Strega Prize benefits the circulation of the Italian works shortlisted for the prize.”

The Strega Prize winners are, in fact, taken on a tour to promote their books in Italia and abroad (this year in Mexico). It is a gruelling tour, but one that seems to have left the writers satisfied.

“The pages of our books have given rise to a story quite independently of us; this really struck me,” said Teresa Ciabatti. Michele Mari spoke of a metalibro that has come into being – a monstrous book born of books, of the stories within them, of the comments on them made by the authors, by other writers, and by readers, in which Plato is intertwined with the Camorra and the story of a sleepwalker in late-nineteenth-century Sardinia – a story that someone ought to write. Nucci, as an admirer of Plato’s Symposium, appreciated the convivial atmosphere and the discussions centred on the books, expressing the hope that they might be discussed a little more in the press. Pierantozzi said it had been an enjoyable experience that had taken his mind off his illness and his daily routine, and he expressed his delight that a novel tackling a subject such as neurodiversity – which is so heavily stigmatised – had made it onto the shortlist of the Strega Prize. Bianca Pitzorno said she had had an experience she’d never had before at her age: travelling around with other authors and hearing them talk about books, books she greatly appreciated, whereas she usually travels on her own. Elena Rui, who lives in France, also greatly appreciated the opportunity to break out of a kind of isolation and said she was very impressed by the audience’s participation and by seeing squares full of people.

Fair play from all the competitors, then, and no mention of the arguments of the past few days.

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  • Lara Ricci

    Lara Riccivicecaposervizio curatrice delle pagine di letteratura e poesia

    Luogo: Milano e Ginevra

    Lingue parlate: Inglese e francese correntemente, tedesco scolastico

    Argomenti: Letteratura, poesia, scienza, diritti umani

    Premi: Voltolino, Piazzano, Laigueglia, Quasimodo

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