The origins of the conflict

Rachel and the Art of Living in Palestine

Metin Arditi’s *Rachel and Her People* is a gripping novel that spans 65 years of history, from the end of Ottoman rule to Israel in the 1980s

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

At dawn on 12 February 1917, a little girl wakes up on a straw mattress in a shack on the outskirts of Jaffa. She clutches an old blanket to protect herself from the cold and her anguish. In her mind’s eye, she sees a blurred image of her motionless sister and her father with his head bowed and his cheeks swollen. They are not there.

That very morning, in Jaffa, another little girl, Rachel, looks out of the window at the rivulets of rain running down the street and begins to daydream, until she discovers that the emaciated Ashkenazi man whom her father had refused to help the day before has died, as has one of his daughters.

Loading...

‘With these immigrants, it’s never-ending,’ her mother had told her the previous evening at dinner, explaining why she had refused. Her parents were yahud awlad ‘arab: Arab Jews, Palestinians like her foster brother Munir, the son of two Catholic Arabs with whom they had for years shared a kitchen and the worries of life in a land where more and more Jews were pouring in from Northern Europe and Russia, fleeing the pogroms, arousing the anxieties of Arabs of every religion. Even more so than the non-Jews. ‘We’ve always shared everything with your parents. Your father is Munir’s godfather. We observe Shabbat with you. And you, you come with us to Mass every Sunday. Because we’re from here. Those who come from Europe don’t like to mix with us. And besides, there are too many of them; one day they’ll want to drive us out, you’ll see,’ Munir’s father tells Rachel, recalling the religious yet popular festival of Nabi Rubin, which everyone – Jews, Muslims and Christians – used to attend in August.

Rachel’s father, too, doesn’t like seeing all those moskubim turning up: ‘We were fine,’ he used to say, referring to the coexistence – that of Jews and Arabs in Palestine – which had lasted for four centuries. ‘Jews are looked down upon everywhere. In Russia, Poland and Romania, they’re being massacred. Here we live in peace. Have you ever seen an Arab lay a hand on a Jew in Palestine? I certainly haven’t. But if the invasion continues, we’ll become enemies.”

Metin Arditi, a writer of Sephardic Turkish origin, born in Ankara 28 years after the events with which his novel *i* (*Rachel and Hers*) opens, sets the first part of the story in Palestine under Turkish rule, just as British ships are approaching the coast, and Arab Jews fear that the Turks, regarding them as allies of the British, will subject them to the same fate as the Armenians. It is the twilight of Ottoman Palestine.

Rachel and Ida, the orphan, find themselves living together: overcome by guilt, Rachel’s parents have adopted her. ‘How could you be my sister? I’m Munir’s sister! An Arab!’ exclaims Rachel. ‘If you want her to leave, you’ll have to make her life impossible,’ Munir suggests to Rachel, but then all three learn to live together and become inseparable, each with their own multiple loyalties: Ida to her mother, who had lost her life draining the marshes of Palestine; Munir to the Palestinian Arabs; Rachel to the Arab Jews but also to Palestinians of other faiths; and all three to one another.

An Arab Jewish woman, a Catholic Arab man, an Ashkenazi Jewish immigrant, three siblings living under the same roof: this is the metaphor Metin Arditi chooses to illustrate the breakdown of the balance (‘the Ashkenazis had not come to Palestine to be under anyone’s rule. ‘They had come to feel at home’ says Munir to his sisters) and Palestine’s descent into ever more extreme violence. This is evident from the very first pages of this rich and gripping historical novel, in which the plot is skilfully interwoven with significant and little-known historical events in Palestine, Turkey and France.

Brothers by choice who will become brothers by blood through a tragic lineage. It is a bitter metaphor with which the author concludes *i* Rachel and Her */i*, a saga that restores depth to a land rich in peoples, cultures, history and shadows, capable of placing the reader in the shoes of its many characters. This is a particular passion of Arditi, whose foundation organises writing competitions amongst Jewish and Arab Israeli students, in which each must write from the other’s perspective.

‘All it would take is a law stating that once a month every Jew must have a coffee with an Arab,’ writes Rachel. She has become a famous and provocative playwright – with her ability to consistently highlight the contradictions of peoples overwhelmed by fear and trauma (‘Can we build our own happiness on the unhappiness of others?’ she had written in an early play). She married an activist from Brit Shalom (Martin Buber’s movement for the creation of a binational state) – a man who, like her, believed that Palestine should become a model land, deeply egalitarian, open to Jews, Muslims and Christians regardless of the size of their populations – her happiness was cut short in the most terrible of ways.

The author recounts her life up to 1982, with a digression into 2020 (the year the book was published in France). In fact, in a play, Rachel imagines what would happen in the 38 years leading up to 2020. Whilst the audience shouts ‘anti-Semite!’ at her, the actor recites historical events that seemed impossible at the time: ‘A 700-kilometre-long wall will be built. It will protect the country from the Palestinian people’; ‘Six hundred thousand Jews will settle in various settlements in the West Bank’, ‘The Knesset will pass a law on the Jewish nation-state’, ‘the law will relegate the Arabic language to a secondary position’, ‘it will classify non-Jewish citizens as second-class citizens…’.

Loading...

It’s Rachel’s latest comedy. With her many loyalties, she may have betrayed her many /i, but not the idea that they might all be siblings.

© ALL RIGHTS RESERVED

Metin Arditi

Rachel and the others

Translated by Elena Cappellini

Crocetti, 430 pages, 22 euros

Copyright reserved ©
  • Lara Ricci

    Lara Riccivicecaposervizio curatrice delle pagine di letteratura e poesia

    Luogo: Milano e Ginevra

    Lingue parlate: Inglese e francese correntemente, tedesco scolastico

    Argomenti: Letteratura, poesia, scienza, diritti umani

    Premi: Voltolino, Piazzano, Laigueglia, Quasimodo

Loading...

Brand connect

Loading...

Newsletter

Notizie e approfondimenti sugli avvenimenti politici, economici e finanziari.

Iscriviti