Sanremo 2026, led by Arisa, Sayf, Luchè, Brancale and Da Vinci. Filippucci wins among the Young People
Eros Ramazzotti and Alicia Keys super-hosts. Then singers that in different years you wouldn't have seen, comedians who don't make you laugh, and brushstrokes of rhetoric
"Are they tonight the best we have?" The question comes from the past, from one of the most beautiful songs by the immense Fabrizio De André, but it fits perfectly as an off-the-cuff comment, in front of every (empty) passage of this Sanremo 2026 that is far from lucky. The third night is no exception: singers that in different years you wouldn't have even seen on the Riviera, comedians that don't make you laugh, brushstrokes of patriotic and/or good-natured rhetoric here and there.
And then there is the competition, which delivers the first verdicts: Nicolò Filippucci wins the prize in the New Entries category with the song Laguna, beating Angelica Bove in the final who sang Mattone. Bove consoled herself by taking home the Mia Martini critics' prize and the Lucio Dalla press prize. "I am so happy, I don't know what to say. Thank you really, thank you maestro, thank you orchestra, thank you all, it's a dream, really,' comments institutional Filippucci. The artistic director Carlo Conti, for the occasion flanked by Sanremo Giovani host Gianluca Gazzoli, nods.
As for the Big contest, which saw the remaining 15 artists in the competition perform, at the end of the third evening the five most voted by televote (50%) and Radio Jury (50%) in random order were Arisa, Sayf, Luchè, Serena Brancale and Sal Da Vinci.
Co-hosts of the evening are Russian supermodel Irina Shayk and Ubaldo Pantani in a parody of Lapo Elkann, yet another unfunny comedian in an edition that - Lillo aside - seems to have a serious problem with comedy.
We understood why the Melonian area comedian Andrea Pucci was destined to co-host this very third evening of Sanremo 2026. Between the lifetime achievement award to Mogol with a somewhat forced passage on the Italian Unesco heritage cuisine, the children of Caivano, the symbolic place of government storytelling, the appeals for peace that coexist with the presence of Russian models who, by their own admission, do not speak about politics, Pucci would have felt all in all at ease.
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