The second evening

Sanremo, ratings drop (60.1%). Controversy over John Travolta's cachet. Tomorrow tractors on stage

First Geolier ahead of Irama, Annalisa, Loredana Berté and Mahmood. Emotion for the return of Giovanni Allevi

by Francesco Prisco

Aggiornato l’8 febbraio 2024, ore 12.02

Sanremo, Amadeus: “Cessate il fuoco? Condivido totalmente”

4' min read

4' min read

An average of 10 million 361 thousand viewers (60.1% share) watched the second evening of the Sanremo Festival yesterday (from 9.17pm to 1.33am). In 2023, the second evening of the festival gathered an average audience of 10 million 545 thousand viewers, equal to 62.3% share.

You make memes about his sloppy Neapolitan and branded content pizzas, he quietly takes the top step of the podium on the second night: Geolier is first ahead of Irama, Annalisa, Loredana Berté and Mahmood. This is the Top Five determined by the judgement of the televote and radio jury that comes after the performance of 15 of the 30 singers in the competition. A ranking that must be taken with a pinch because, according to the byzantine new festival regulations, it will be "mixed" with the classification of the first evening produced by the press room and that of the third evening, but in any case indicative of how the balance in the competition from now until Saturday may change.

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Rai announces that on Friday evening Sanremo will give space to the farmers' protest, through a communiqué read by Amadeus. "In the impossibility of hosting some representatives on stage," reads the State TV note, "Amadeus will read a communiqué that will bring to the attention of the general public the problems and demands coming from the agricultural world.

What did we see in the almost five hours of broadcasting? The praise of resilience and resignation to the grotesque. Two opposing concepts that can coexist, because Sanremo is Sanremo: Giovanni Allevi's return speech after two years of illness and John Travolta doing The Qua Qua Dance. It oscillates between these two extremes on the second evening of the Amadeus quinquies festival: at 10 p.m. there is reflection and at 11 p.m. there is squawking. A second evening that continues to highlight writing problems.

Amadeus accoglie Giovanni Allevi

The Return of Giovanni Allevi

Moments of great emotion at the Ariston, with the audience completely on its feet for the return of Allevi, pianist and exponent of the new Italian classical music who is fighting against a myeloma. "Suddenly everything fell apart for me," he says in his monologue about the terrible experience of the disease. 'I haven't played the piano in front of an audience for almost two years. At my last concert at the Konzerthaus in Vienna, the pain was so great that I couldn't stand up for the applause. I lost my job, I lost my hair, I lost my certainty, but not my hope'. It is precisely in those moments that you discover who you really are and maybe find the strength to go on. The meaning of his speech? 'It is liberating to be yourself'. So he finally sits down at the piano and performs a hopeful Tomorrow. Liberating.

John Travolta con Fiorello alle prese con «Il ballo del qua qua»

Travolta and "The Quacking Dance"

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Shortly after 11pm comes the turn of John Travolta, 70 years old on the 18th of the month. And the register is at the antipodes. Welcoming him is Giorgia, the exceptional co-host with whom the Hollywood actor evokes his love for La Strada by Federico Fellini: "As a child I didn't understand why Giulietta Masina died," he says. "My father told me she died because they broke her heart. I didn't believe you could die because someone breaks your heart. From that moment on, I decided that in my life I would never break anyone's heart'. He ended up dancing with Amadeus Stayin' alive, Greased Lightnin' and You never can tell to evocative Saturday Night Fever, Grease and Pulp Fiction. Before joining Fiorello in the kitsch triumph of the Queen Dance. But the hottest issue linked to the participation of the former Tony Manero is that of the cachet: rumours have surfaced of a one million token not paid by RAI but by a sponsor (the U-Power shoes for which Travolta is testimonial) worn by him. Quick came a Codacons complaint to Agcom and Antitrust. The Novara-based company replied: 'With reference to John Travolta's participation in the Sanremo Festival, U-Power specifies that the actor, as is well known, has been a testimonial for the company since the summer of 2023. The participation in the Sanremo Festival is the result of an agreement between RAI and the actor in which U-Power is in no way a party. Regarding the content of the performance, the same is a matter solely for the artistic direction of the Sanremo festival'. Andkronos writes that the amount disbursed by the Italian TV station does not exceed EUR 200,000. In any case, judging by the siparietto we have seen, any amount disbursed could evidently have been better spent.

Speaking of Giorgia: at Sanremo she always plays at home and the Ariston audience stands to welcome her. The lady of Italian song performs E poi, in the 30th year of her participation in the festival, and then a medley of her greatest hits. Obligatory standing ovation.

La Sad

Sad's tailcoat

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Returning to the competition, it should be noted that the second evening of the Festival saw the debut of the format of singers introducing singers, perfectly consistent with the era in which journalists interview journalists. There is no shortage of gems, like La Sad in tailcoats introducing Renga and Nek ('We are the new Il Volo,' they will say). They turn their backs and show Amadeus their graffitied portraits in punk version. Alfa, besieged by controversy for the resemblance of his Vai! to Run by OneRepublic (and more) arrives on stage with broom in hand for the sake of Fantasanremo. So does Big Mama later on, but she addresses a message to the queer community: 'Love each other freely, you can do it!' Rose Villain hands Amadeus the Ama-rgherita (a daisy with the artistic director's face on it).

Dargen D’Amico

The Sense for Politics by Dargen D'Amico

Diodato introduces Dargen D'Amico for Onda alta and congratulates him for the words he spoke the day before in support of the children suffering in the Mediterranean. "Words that I completely agree with," says the singer-songwriter. At the end of the performance Dargen closes: 'Yesterday, after my performance, I read some externals. Someone said I did politics. I have done a lot of c... in my life but I never thought of approaching politics'. Funny little joke between Loredana Berté and Sangiovanni who introduces her. "I hope I have your courage in life," he says. "You have a long time ahead of you," she replies. She ends with the public cheering her on.

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