Opera Foundations

Scala, the new season presented. On 7 December we start with Šostakovič

A Lady Macbeth in the Mcensk district will open the first season conducted by Ortombina and the last one conducted by maestro Chailly

by Giovanna Mancini

Frederic Olivieri, Giuseppe Sala, Fortunato Ortombina, Riccardo Chailly e Fabrizio Zappi alla conferenza stampa di presentazione della stagione 2025-2026 del Teatro alla Scala, Milano 26 Maggio 2025
ANSA/MATTEO CORNER

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Thirteen operas, seven ballets and then concerts, singing recitals, children's activities and cultural insights. The Teatro alla Scala in Milan presented the new 2025/2026 season, the first under the new superintendent Fortunato Ortombina and the last under the artistic direction of Riccardo Chailly, who will leave the podium to Myung-Whun Chung.

St. Ambrose premiere

The season will open on 7 December with Šostakovič's "A Lady Macbeth in the District of Mcensk". "Pelléas et Mélisande" will mark the La Scala debut of director Romeo Castellucci, but it will not be conducted as planned by Daniele Gatti (replaced by Maxime Pascal) who, long tipped as Chailly's successor, has cancelled all commitments with La Scala following the appointment as music director of Myung-Whun Chung, who will conduct Giuseppe Verdi's "Otello" on 7 December 2026.

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A political and cultural stronghold

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"La Scala is a political and cultural cornerstone of our country," said Milan's mayor Giuseppe Sala, who is also president of La Scala's opera foundation, during the press conference presenting the season, which was also attended by the undersecretary for Culture Gianmarco Mazzi and the president of Lombardy, Attilio Fontana.

An example of the theatre's also political role is the opera chosen for 7 December, which carries 'a message of denunciation against oppression and for freedom of expression', added the mayor, who asked La Scala to 'go even further out of the theatre to reach out to young people'.

Ortombina responded somewhat, saying that the activities aimed at young people will be expanded, but he also said he was proud of the under-35 audience figure, which now represents (with 1,500 subscribers) one third of the spectators in a theatre that has a 90% occupancy rate.

Public-Private Model

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Ortombina also recalled the fundamental role of the foundation's private partners and supporters, who make all these activities and the maintenance of the theatre's artistic quality possible. 'I would like to reiterate the importance of the interaction between private and public capital,' the superintendent added. This theatre is a rare case in Italy and I urge undersecretary Mazzi to see La Scala as an example that is to recognise its fundamental role in Italian culture. My goal is that in a few years no Milanese will be able to say they have not been to La Scala and we will work towards this goal'.

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