Art Basel 2025

Sculpture on the rise at Unlimited, many Italian artists

Monumental works for museums and foundations the focus of the exhibition

by Silvia Anna Barrilà

Mostra “Respect” di Michelangelo Pistoletto presso la galerie VnH con la galleria Continua, Parigi, Francia.

3' min read

3' min read

Monday opens the week of Art Basel, for over 50 years one of the most important appointments for the European and American art market. The first, eagerly awaited event of the kermesse is the inauguration of Unlimited, a section reserved for works of monumental dimensions, designed for the purchases of museums and foundations, rather than the average collector, already starting with the prices, which range from at least 50,000 euros to millionaires. For everyone it is the most spectacular part, but also the one that requires the most effort from the galleries, 92 this year with 67 works. "Again this year the gallerists have proposed very ambitious projects," reported Giovanni Carmine, the Italo-Swiss curator responsible for the section, as well as director of Kunst Halle Sankt Gallen. "For galleries it is a unique showcase, but the times make it even more thoughtful to consider what to bring. For example, there are few video works this year, a medium that presents greater difficulties in achieving a good return on investment, although there is no shortage of beautiful work by Walid Raad'.

Mimmo Paladino

This does not mean that we will only find painting, quite the contrary. "Compared to previous years, I have noticed a great return to sculpture," says Giovanni Carmine. "I don't know why in terms of the market, but on a curatorial level it was a nice challenge to install many works without the box around them, generating an adequate space for the works and for the public".

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And even the painting at Unlimited is installation-based. The youngest artist, the Swiss painter Andriu Deplazes, born in 1993, worked for the first time on five panels and a length of eight metres, dealing with current topics such as war, refugees, climate (presented by Peter Kilchmann at CHF 200,000).

The themes of the present form the backdrop for many of the works. "There is a kind of humanism as a common thread," commented Carmine. "Many works deal with existential and identity issues, the search for a utopia and the confrontation with today's socio-political issues."

Valerio Adami

Think of this year's largest work: a series of 80 sculptures by Atelier Van Lieshout, which accompany the visitor from the entrance to the exit and represent humanity's continuous journey towards a better, albeit improbable, future. Pistoletto, no stranger to Unlimited, also refers to his utopias of coexistence, while Marinella Senatore, who is here for the first time with a 34-metre luminaria, creates a space for empowerment (presented by Mazzoleni at EUR 550,000).

Arcangelo Sassolino

It may be because of Giovanni Carmine's origins, but there is no shortage of Italians. In addition to the two named, there is Arcangelo Sassolino, fresh from the inauguration of a solo exhibition at Mona in Tasmania; Mimmo Paladino with the cycle of 'Witnesses' (2009), 20 totemic figures presented for the first time outside Italy by Cardi Gallery, already opted for a museum before the fair (asking price around two million euros); and then another artist such as Valerio Adami, who has been very active abroad in the past but is now experiencing a revival after his museum exhibition in Milan and thanks to Gio Marconi who is bringing him to Basel with a triptych from the 1970s entitled 'Intollerance', a theme that is unfortunately still topical (EUR 650,000). Even Piero Golia, rarely exhibited at fairs, is present with an immersive installation that activates all the senses.

Marinella Senatore

But the provenances at Unlimited remain very heterogeneous, this year with an increase in Asia also thanks to Koreans, who are increasingly popular in the art world. In addition to the already well-known Lee Ufan, there are tapestries by Suki Seokyeong Kang, who sadly passed away prematurely recently, and Hyunsun Jeon, 36, with 30 arched canvases that, again, claim space.

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