Il Giappone autorizza l’export di armi avanzate per la prima volta dal dopoguerra
dal nostro corrispondente Marco Masciaga
The value of the royalties that Spotify pays to the Italian record industry is growing by 10 per cent: by 2025 they will reach 165 million. This is thanks to the fact that the music streaming market in Italy is far from saturated, of course, but also a bit to the price increase for premium subscriptions that took place in September.
These are the figures from the latest edition of the Loud & Clear report that Sweden's leading digital music distribution platform produces every year and which shows that, overall, the company founded by Daniel Ek last year paid 11 billion to the sector. Looking at our vegetable garden in Italy, the value of the 2025 contribution appears to be three times that of 2019. The number of Italian artists to have crossed the EUR 1 million threshold grows by 10% year on year and almost 100% in two years: there are more than 20 in 2025. The number of Italian musicians to have exceeded EUR 500,000 in 2025 is more than 50.
Then there is the growth of the so-called "middle class": artists generating, on Spotify alone, more than EUR 50,000 and over EUR 100,000 annually have more than doubled since 2019. And independent distributors play a significant role in this process: around 40% of royalties generated in 2025 in Italia came from independent artists or labels, confirming how digital platforms allow the new generation of creatives to publish, promote and monetise their music without necessarily going through traditional channels.
The Italian language continues to exert appeal on international audiences, so much so that it was among the fastest-growing on Spotify last year: royalties from Italian-language tracks grew by 17% compared to 2024 and 46% compared to 2023. A national trend, this, which directly correlates with what is observed at a global level: in 2025, tracks in 16 different languages reached Spotify's Global Top 50, more than double the number in 2020.
Italian is therefore an integral part of a 'multilingual revolution' in music: not only does it gain a loyal audience in Italia, but it is also exported and appreciated in international markets. Confirming this dynamic, more than 40% of Italian artists' royalties in 2025 will come from listeners outside Italia, while globally artists see more than 50% of their royalties come from abroad within the first two years of their debut.