Media

Streaming, video games and apps rise to 18.1 per cent of total TV ratings

In 2024, TV closes with a stable audience but the 'unrecognised' part grows. Head-to-head between Mediaset (slightly ahead) and RAI in the average day and Warner Bros Discovery's exploit in prime time (but without the expected boost from Amadeus)

by Andrea Biondi

(Adobe Stock)

4' min read

4' min read

In this 2024 that is drawing to a close, viewers in front of the TV have increased. They have grown by looking at 24 hours (the average day), but also prime time: by 0.8 per cent and 0.6 per cent respectively. However, if it is true that, looking at the Auditel numbers compiled by Studio Frasi, traditional TV is holding up, it is equally evident that the tangible growth in numbers is attributable to 'unrecognised' listening.

Streaming, apps, video games, game consoles represent the emblem of a change in audiovisual consumption that for the younger generations is already a reality. It is no coincidence that from 29 December Auditel will start calculating the 'total audience': every day a single number will be provided to give the pulse of the audience, including TV, but also PCs, smartphones, tablets.

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L’ANNO DELLA TV

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The thrust of 'unrecognised'

listening.

With two weeks to go until the end of the Auditel television year (the data processed by Studio Frasi runs from 31 December 2023 to 14 December this year), it is meanwhile possible to take stock of the last year without the total audience. The head-to-head between publishers currently sees Mediaset prevail, but by a whisker, in the average day and Rai in prime time (in this case by a large margin). In general, the presence in front of a switched-on television set has increased over the last two years: on the average day in 2024 there are 9.9 million, this value has grown by about one hundred thousand individuals every year. The boost to growth, as mentioned, comes above all from the 'Unrecognised' group, whose weight has risen from 16.9% in 2022, to 17.6% in 2023, to 18.1% this 2024.

"It is a growth, it is true," comments Francesco Siliato, media analyst at Studio Frasi, "but it is not an exciting increase and it is lower than expected at other times. As for traditional TV, it has grown this year - slightly, by 0.2% - but is losing 6% of its audience compared to two years ago. "In this case," Siliato emphasises, "it is a regrowth, perhaps temporary, linked to a vision of traditional TV as a safe haven to devote more time to in difficult, unexpected times with an uncertain ending. The average age of traditional TV users is 60. Data compiled by Studio Frasi show, however, that that same age drops to 42 for those who devote themselves to unrecognised viewing. And this too is a strongly indicative sign.

Sports and Sanremo top the ratings

But what still manages to glue people in front of the television set? Of the twenty most viewed programmes of the year, sixteen are football matches, including national teams (12) and club teams (4). Among the remaining four programmes are the Sanremo Festival, which also leads 'Sanremo Start' and 'Prima Sanremo', and the wish for a happy 2024 with 'L'anno che verrà' hosted by Amadeus. Seventeen of the twenty most viewed programmes went on Rai 1 and three (football matches) on Canale 5: the Italian Super Cup final Napoli-Inter; the Coppa Italia final Atalanta-Juventus and the Champions League final Borussia Dortmund-Real Madrid. Sinner's matches for the Atp Finals (4.9 million viewers overall between Rai 2 and Sky) and the Davis Cup final (5.7 million viewers overall between Rai 2 and Sky) were excellent, but off the charts.

The most popular dramas did well but not very well: in the lead were Rai 1's 'Doc nelle tue mani' and 'Le indagini di Lolita Lo Bosco', which anticipate 'C'è posta per te', a programme benevolently defined as 'unscripted' on air on Channel 5.

The 'cases' of 2024 on TV

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Some programmes, however, disappointed. Above all, the evening newscasts of the two flagships, with Tg1 in the evening showing a deficit of 163,000 viewers, equivalent to a drop of 3.4%, and the contemporary Tg5 which loses another 86,000 (-2.4%), while 191,000 (+18.6%) is gained by La7's Tg at 8pm. Also weak was Tg2 at 8.30pm which lost 97,000 viewers (-8.9%).

Meanwhile, the year that is coming to a close was the scene of a major transition (Amadeus to Warner Bros Discovery) and the questioning of a television totem unimaginable beforehand: Striscia la notizia. In the first case, the hoped-for results did not arrive: a share of 3% with 'Chissà chi è' and 5% with 'La Corrida'. Warner Bros. Discovery, however, enjoys the leadership in terms of audience growth in prime time (+18.86%) followed in the incremental trend by La7 (+11.59%) and the second place for growth in the average day (+9.62%) where La7 stands out (+10.18%).

As for Striscia la Notizia, in the fifty weeks of 2024 analysed by Studio Frasi on Auditel data, Antonio Ricci's historic programme lost 360 thousand viewers (-10.4%) and just under two share points compared to the same period last year. "However, in addition to Striscia and Tg5, it is Channel 5 itself that is not in the best of health, given that in prime time the Mediaset flagship loses 164,000 viewers, -5.5% less, while RAI 1 - concludes Siliato - gains 297,000 or +7.8%".

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