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Textile artisans win LVMH’s ‘Maestro d’Eccellenza’ awards

Of the nine finalists for the award, now in its fourth year, five are from the world of textiles – a clear sign of the sector’s vitality and its forward-looking nature

Carlo Colombo della Tessitura La Colombina, vincitore del premio Maestro Artigiano d’Eccellenza 2026

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

The word that came up most often was ‘emotion’: there was plenty of it in the grateful speeches given by the master craftsmen who gathered yesterday at the Bulgari Hotel in Rome for the presentation of the Maestri d’Eccellenza Award, organised by LVMH’s Mestieri d’Eccellenza division, in collaboration with Confartigianato Imprese, the National Chamber of Italian Fashion and the Bulgari Foundation, now in its fourth year.

Moda: quarta edizione premio 'Maestri d'Eccellenza', i riconoscimenti all'artigianato made in Italy

Over the past few years, more than a thousand Italian craftspeople have submitted their projects and stories to the award jury, which aims not only to support the work of the winners (with 10,000 euros and a comprehensive mentoring programme offered by Bulgari), but also to raise public awareness of the cultural and economic importance of the craft trades and their unique ability to combine history and tradition with research and experimentation.

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I vincitori delle tre categorie del premio con la giuria

This aspect was highlighted in this edition by the patronage of the Ministry of Culture, the support of the Ministry of Foreign Affairs and the Ministry of Enterprise and Made in Italy, with Minister Adolfo Urso taking part in the event: “From a customs code, ‘Made in Italy’ has come to signify the culture of the product,” he said. “Exports, based on our artisanal excellence, are the driving force behind our economy,” he continued, highlighting the government’s measures to support outstanding SMEs, such as the recent implementing decree allocating 100 million euros to support and revitalise the fashion, textile and accessories sectors, in accordance with Article 3 of the Annual Law on SMEs.

“Passing on knowledge does not mean set in stone,” emphasised Laura Burdese, CEO of Bulgari. “Our responsibility is to create space for young people – and, more broadly, for anyone who can learn from the masters – whilst at the same time allowing them to contribute their own vision and sense of the future.” “In Italia, the brand and its supply chain are one and the same,” added Carlo Capasa, president of the National Chamber of Italian Fashion. “Today, more than ever, contemporary fashion has its roots in craftsmanship of the highest calibre.”

The winner of the 2026 Master Craftsman of Excellence award was Carlo Colombo, of Tessitura la Colombina in Badoere di Morgano, in the province of Treviso. The company, which has been passed down through four generations, was founded in 1895 as a silk mill and introduced hand looms in 1948, before branching out into the production of accessories and knitwear. Colombo, who runs the company with his brother Mario, emphasised how his training as an architect has helped him shape the creative direction of the weaving business, reiterating the importance of remaining open to the present and forward-looking, not least through the involvement of students from schools and higher education institutions who visit his workshop.

Elena Ciarrocchi, ricamatrice di fili d’oro, è basata a Porto San Giorgio, nelle Marche

Of the nine finalists across the three categories, no fewer than five come from the world of textiles – a clear sign of the renewed interest, even amongst the younger generations, in this type of activity and product culture: alongside Colombo, the following have also reached the final stages of the selection process: Elena Ciarrocchi, an embroiderer specialising in gold embroidery, who works mainly in the field of liturgical vestments, though not exclusively; Mirei Monticelli, who was awarded the ‘Master of Innovation and Excellence’ prize; of Filipino origin, she works in collaboration with a local community of weavers using banaca fibre, derived from abaca.

Un’opera di Graziella Carta/Studio Pratha

Then there is Karin Monica, who creates unique headpieces and sculptures in Brescello using handmade felt produced with soap and water, and Graziella Carta, who, through her Studio Pratha, reinterprets the Sardinian textile tradition by drawing on fibre art and the Bauhaus aesthetic, whilst also collaborating with weavers based in the village of Sarule, in the province of Nuoro. Guardians who preserve and innovate.

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  • Chiara Beghelli

    Chiara BeghelliRedattore

    Luogo: Roma

    Lingue parlate: inglese, spagnolo

    Argomenti: moda, lifestyle, lusso

    Premi: Premio Penna Arcobaleno (2011) - Premio Stampa Moda Movie (2019) - Premio Casato Prime Donne (2022) - Premio Roma Fashion White sezione "Libri di Moda" (2025)

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